装饰陶瓷作为现代艺术的一个分支

I. Gurzhii
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引用次数: 0

摘要

文章将装饰艺术作为视觉艺术的一种类型进行研究,其重点是艺术创作作品,目的是对其进行装饰并赋予其审美情趣,以及纯展览性质的物品。装饰陶瓷分为以下几种类型:外部、内部和展览,并有两个发展方向:传统和学术。乌克兰现代装饰陶瓷的特点是在千年传统的基础上发展起来的装饰艺术的一个重要分支,并具有自己的地域特色。研究发现,现代装饰陶瓷的制作技术可分为成型和装饰。传统装饰陶瓷是通过手工和陶轮雕刻的方法成型的。学术陶瓷的成型方法更为广泛,如雕刻、陶艺、石膏模具压制或浇铸、分层成型、三维打印等。现代装饰陶瓷的装饰方式多种多样,但传统工艺依然未变。它们是镌刻、仪式、粘贴、用水涂抹。在学术装饰陶瓷方面,使用了多种装饰方法,既有传统的,也有实验性的。这些方法包括:镌刻、蚀刻、粘贴、用水涂抹、金属氧化物绘画、金属盐绘画、水彩颜料下绘画、水彩颜料上绘画、贵金属制品和吊灯绘画。他们不受传统装饰方法的束缚。艺术家们可以随心所欲地创作,而在传统陶瓷中,他们必须在装饰和成型方法上坚持地域特色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DECORATIVE CERAMICS AS A BRANCH OF MODERN ART
The article examines decorative arts as a type of visual arts that focuses on works of art creation, with the aim of decorating and giving them aesthetic appeal, as well as objects of a purely exhibition nature. Decorative ceramics are divided into the following types: exterior, interior, and exhibition, and have two directions of development: traditional and academic. Modern Ukrainian decorative ceramics is characterized as an essential branch of decorative arts that developed based on millennial traditions and has its territorial features. It has been found that the technique of making modern decorative ceramics can be divided into forming and decorating. Traditional decorative ceramics are formed by the method of sculpting by hand and on the potter’s wheel. Academic ceramics have broader possibilities of formation, such as sculpting, pottery, pressing or casting in plaster molds, layer formation, and 3D printing. The decoration of modern decorative ceramics is quite diverse, but the traditional techniques remain unchanged. They are engobe, ceremony, pasting, smearing with water. For academic decorative ceramics, a variety of decoration methods, both traditional and experimental, are used. The methods are the following: engobing, etching, pasting, coating with water, painting with metal oxides, painting with metal salts, painting under watercolor paints, painting over watercolor paints, painting with precious metal products and chandeliers It has been found that the artists do not limit their possibilities in academic ceramics. They are not bound by traditional decoration methods. Artists can do whatever they fantasize about, while in traditional ceramics, they must stick to regional features in the methods of decoration and formation.
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