没有我们的世界和没有世界的我们

S. Stettler
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引用次数: 0

摘要

爱德华多-维维罗斯-德-卡斯特罗(Eduardo Viveiros de Castro)和德博拉-达诺夫斯基(Déborah Danowski)在作品 "Há mundo por vir?"(2017)中提出了 "没有我们的世界 "和 "没有我们的世界 "的概念。(2017)中由爱德华多-维维罗斯-德-卡斯特罗(Eduardo Viveiros de Castro)和德博拉-达诺夫斯基(Déborah Danowski)在作品 "Há mundo por vir?"中提出的 "没有世界的世界"(Há mundo por vir?在没有自然与文化之分的情况下,有可能出现一个没有我们的世界或没有我们的世界吗?我打算在本文中探讨的假设是,在对所提出的概念进行研究之后,可以得出这样的结论:当代电影中的僵尸形象之所以存在,是因为它们运用了与海地后殖民民间传说中影响其起源的用于区分和划分生物等级的二元论概念。为了回答这些问题,我建议对 "我们"、"世界 "和 "认可 "的概念进行研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mundo-sem-nós e Nós-sem-mundo
The concepts of "world-without-us" and "us-without-world," coined by Eduardo Viveiros de Castro and Déborah Danowski in the work "Há mundo por vir?" (2017), when related to cinematic zombies – creatures challenging Cartesian differentiation between res cogitans and res extensa due to their lack of consciousness, i.e., the inability to recognize the world – prompt the question: what would it be like, borrowing Giorgio Agamben's formulation (2006), if there were neither a world nor humans, without ecosystem and species ceasing to exist? Is it possible to have a world-without-us or us-without-world without the differentiation between Nature and Culture? The hypothesis I intend to explore throughout this text is that, upon investigating the proposed concepts, it may be concluded that contemporary cinematic figures of zombies exist because they mobilize the same dualistic concepts used to differentiate and hierarchize beings that influenced their genesis in the post-colonial folklore of Haiti. To provide an answer to these questions, I propose an investigation into the concepts of "us," "world," and "recognition."
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