儿童戏剧表演中的表演形式美学

Al-Academy Pub Date : 2024-06-15 DOI:10.35560/jcofarts1262
H. Aldaghlawy
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引用次数: 0

摘要

戏剧表演体现了人类创造性意识所产生的多方面审美情趣。随着人类思维的发展和对游戏娱乐的热爱,开始用歌唱、表演、塑造、装饰等方式来充实自己。本研究的基本内容包括戏剧表演的主要形式及其象征、意义,以及儿童剧的使用,通过各种手段的和谐与发展,努力实现视觉和动感事件,直至成为使用演员的工具作为戏剧表演形成的有形标志和核心的基本和重要作用。因此,研究人员根据科学研究方法,分四章介绍了其题为 "儿童剧(《艺术世界中的贾德和亚拉》--模型)中的戏剧表演形成美学 "的研究,力求实现揭示《艺术世界中的贾德和亚拉》戏剧表演形成美学的研究目标。研究总结出了几项成果,其中最重要的是戏剧表演美学的特点是视觉形式的多样性、重复性和变化性,视觉和听觉元素的动感表现的运用及其思想和美学意义。此外,一致的色彩和谐,使戏剧表演形成了一种互动产品,是平衡和形式转移的动态组织。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The aesthetics of forming acting performance in children's theater performances
The theatrical performance embodies a multi-faceted aesthetic taste that has emerged from the creative human consciousness. As human thinking evolved and developed a love for play and entertainment, it began to fill its aspects with singing, acting, shaping, and decorating. The basics of this study consist of the primary form of theatrical performance and its symbols, meanings, and the use of children's theater in efforts to achieve visual and kinetic events through harmony and development of various means until it became the fundamental and essential role in using the actor's tools as a tangible sign and nucleus in the formation of the theatrical performance. This medium is especially true when the theatrical act gains a diverse aesthetic formation to entertain and delight children. Therefore, the researcher presented his study entitled "Aesthetics of Theatrical Performance Formation in Children's Theater (Jad and Yara in the World of Arts - Model)" in the light of four chapters according to the scientific research methodology, seeking to achieve the research goal of revealing the aesthetics of the formation of theatrical performance in the Jad and Yara in the World of Arts play. The study concluded with several results, the most important of which is that the aesthetics of theatrical performance were characterized by diversity, repetition, and change of visual forms, the use of kinetic performance of visual and auditory elements, and its intellectual and aesthetic significance. In addition, the consistent color harmony, in which the theatrical performance formed an interactive product, was a dynamic organization in which balance and form were transferred.
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