{"title":"乌什基五号旧石器时代上层遗址(堪察加半岛)出土的纹身颜料的配方","authors":"Y. Gubar, I. Y. Ponkratova, L. Lbova","doi":"10.20874/2071-0437-2024-65-2-1","DOIUrl":null,"url":null,"abstract":"In recent times, the practice of body modification in sociocultural, psychological, and art studies contexts has gained a new impetus for research. This article presents the results of the analysis of pigments found on the sur-face of stone artifacts identified as tattooing tools from the assemblage of layer VII of the Upper Paleolithic site of Ushki V (13–12 ka calBP, Kamchatka Peninsula). The aim of this study is to reconstruct the formulation of paints discovered on the surface of stone tools from the collection of Ushki V, that could have been used for tattooing. The reconstruction was carried out by means of determining the composition and microstructure of the paints using scanning electron microscopy and energy dispersive X-ray spectroscopy (SEM-EDX). The conclusions about the structure of colouring substances and the composition of paints are based on the element mapping method, which allows determination of the relationships of chemical elements and establishing the chemical com-position of individual components of the microstructure. Seven samples of red and yellow paint from the surface of six tools (carvers) have been thoroughly analysed. As a result, it has been found that three recipes were used for the manufacture of the pigments. The first (red paint) was based on mixing crushed mineral pigment (hema-tite) with organic binder of animal or vegetable origin. The second (yellow paint) implied the use of limonite, or-ganic binder and a thickener (aluminosilicate material or crushed bone). The third recipe (dark orange paint) in-cluded the compound of limonite and organic binder without thickener. The comparison of the formulations with previously obtained data on the analysis of paints from Ushki V allows for the conclusion that there were continu-ous technological traditions determined by the desired color and purpose of the paint. It has been established that the formulations have analogies both among the assemblages of other Stone Age sites of Eurasia and in ethno-graphic materials. Theoretical and practical significance of this research lies within extending of focused studies of the culture of peoples of the North and initiating of comparative research into similar Late Paleolithic and Neolithic complexes in the territories adjacent to Kamchatka and in the New World.","PeriodicalId":506530,"journal":{"name":"VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII","volume":"3 7","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Formulation of tattoo paints from the assemblage of the Upper Paleolithic site of Ushki V (Kamchatka)\",\"authors\":\"Y. Gubar, I. Y. Ponkratova, L. Lbova\",\"doi\":\"10.20874/2071-0437-2024-65-2-1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In recent times, the practice of body modification in sociocultural, psychological, and art studies contexts has gained a new impetus for research. This article presents the results of the analysis of pigments found on the sur-face of stone artifacts identified as tattooing tools from the assemblage of layer VII of the Upper Paleolithic site of Ushki V (13–12 ka calBP, Kamchatka Peninsula). The aim of this study is to reconstruct the formulation of paints discovered on the surface of stone tools from the collection of Ushki V, that could have been used for tattooing. The reconstruction was carried out by means of determining the composition and microstructure of the paints using scanning electron microscopy and energy dispersive X-ray spectroscopy (SEM-EDX). The conclusions about the structure of colouring substances and the composition of paints are based on the element mapping method, which allows determination of the relationships of chemical elements and establishing the chemical com-position of individual components of the microstructure. Seven samples of red and yellow paint from the surface of six tools (carvers) have been thoroughly analysed. As a result, it has been found that three recipes were used for the manufacture of the pigments. The first (red paint) was based on mixing crushed mineral pigment (hema-tite) with organic binder of animal or vegetable origin. The second (yellow paint) implied the use of limonite, or-ganic binder and a thickener (aluminosilicate material or crushed bone). The third recipe (dark orange paint) in-cluded the compound of limonite and organic binder without thickener. The comparison of the formulations with previously obtained data on the analysis of paints from Ushki V allows for the conclusion that there were continu-ous technological traditions determined by the desired color and purpose of the paint. It has been established that the formulations have analogies both among the assemblages of other Stone Age sites of Eurasia and in ethno-graphic materials. 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引用次数: 0
摘要
近来,社会文化、心理学和艺术研究背景下的身体修饰做法获得了新的研究动力。本文介绍了对乌什基 V 号旧石器时代上层遗址(13-12 ka calBP,堪察加半岛)第七层石器组合中被认定为纹身工具的石器表面颜料的分析结果。本研究的目的是重建在乌什基五号遗址采集的石器表面发现的可能用于纹身的颜料配方。重建工作是通过扫描电子显微镜和能量色散 X 射线光谱(SEM-EDX)测定颜料的成分和微观结构来进行的。关于着色物质结构和颜料成分的结论是基于元素图谱法得出的,这种方法可以确定化学元素之间的关系,并确定微观结构中各个成分的化学组合位置。对六件工具(雕刻者)表面的七份红色和黄色颜料样本进行了全面分析。结果发现,这些颜料的制造使用了三种配方。第一种(红色颜料)是将粉碎的矿物颜料(hema-tite)与动物或植物来源的有机粘合剂混合。第二种颜料(黄色颜料)意味着使用褐铁矿、有机粘合剂和增稠剂(硅酸铝材料或碎骨)。第三种配方(深橙色涂料)包括褐铁矿和有机粘合剂的复合物,不含增稠剂。将这些配方与之前获得的乌什基五号油漆分析数据进行比较,可以得出这样的结论:根据所需的颜色和油漆的用途,存在着连续的技术传统。已经确定,这些配方在欧亚大陆其他石器时代遗址的组合和民族图画材料中都有类似之处。这项研究的理论和实践意义在于扩大了对北方民族文化的重点研究,并启动了对堪察加半岛附近地区和新大陆类似的旧石器时代晚期和新石器时代建筑群的比较研究。
Formulation of tattoo paints from the assemblage of the Upper Paleolithic site of Ushki V (Kamchatka)
In recent times, the practice of body modification in sociocultural, psychological, and art studies contexts has gained a new impetus for research. This article presents the results of the analysis of pigments found on the sur-face of stone artifacts identified as tattooing tools from the assemblage of layer VII of the Upper Paleolithic site of Ushki V (13–12 ka calBP, Kamchatka Peninsula). The aim of this study is to reconstruct the formulation of paints discovered on the surface of stone tools from the collection of Ushki V, that could have been used for tattooing. The reconstruction was carried out by means of determining the composition and microstructure of the paints using scanning electron microscopy and energy dispersive X-ray spectroscopy (SEM-EDX). The conclusions about the structure of colouring substances and the composition of paints are based on the element mapping method, which allows determination of the relationships of chemical elements and establishing the chemical com-position of individual components of the microstructure. Seven samples of red and yellow paint from the surface of six tools (carvers) have been thoroughly analysed. As a result, it has been found that three recipes were used for the manufacture of the pigments. The first (red paint) was based on mixing crushed mineral pigment (hema-tite) with organic binder of animal or vegetable origin. The second (yellow paint) implied the use of limonite, or-ganic binder and a thickener (aluminosilicate material or crushed bone). The third recipe (dark orange paint) in-cluded the compound of limonite and organic binder without thickener. The comparison of the formulations with previously obtained data on the analysis of paints from Ushki V allows for the conclusion that there were continu-ous technological traditions determined by the desired color and purpose of the paint. It has been established that the formulations have analogies both among the assemblages of other Stone Age sites of Eurasia and in ethno-graphic materials. Theoretical and practical significance of this research lies within extending of focused studies of the culture of peoples of the North and initiating of comparative research into similar Late Paleolithic and Neolithic complexes in the territories adjacent to Kamchatka and in the New World.