热奈特叙事理论下的《八月的星期天》叙事时间研究

Qiuhua Xiao
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引用次数: 0

摘要

法国作家帕特里克-莫迪亚诺创作的短篇小说《八月的星期天》讲述了约翰在八月的一个星期天回忆起的一个故事。篇幅虽小,但悬念迭起,让人感到迷茫和落寞。造成这种效果的主要原因是作者独特的叙事策略:以第一人称视角叙事,让读者更有参与感,更能理解作者的真实感受。同时,运用了一种不合时宜的叙事时间技巧,巧妙地安排了事件发生的先后顺序,制造了许多未知数,使读者在阅读过程中把注意力集中在过去发生的事情上,产生一种迷惘感。本文旨在通过细究主人公约翰超越时间限制的叙事方式,揭示其对时间的精妙而考究的叙事设计,通过考察莫迪亚诺在话语时间上的时间、顺序、时长、频率等方面的巧妙安排,强调莫迪亚诺在话语时间上的巧妙安排,通过这些巧妙安排,充分展现莫迪亚诺独特的时间哲学和对人物内心世界的深刻理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Narrative Time in Sunday in August under Genette's Narrative Theory
The short story Sunday in August, written by French writer Patrick Modiano, recounts a story that John recalled from a Sunday in August. Although the length is small, there are many suspensions, which makes people feel confused and lonely. This effect is mainly caused by the author's unique narrative strategy: narrating from the first-person perspective makes readers feel more engaged and better understand the author's true feelings. At the same time, a kind of anachronistic narrative time technique is used to skillfully arrange the sequence of events, creating many unknowns, which makes readers focus on what happened in the past in the reading process, producing a sense of confusion. This paper aims to lay bare its subtle and elaborate narrative design of time by scrutinizing the way in which the protagonist, John, narrates the story beyond the limits of time, laying an emphasis on Modiano’s ingenious arrangement in discourse time by examining its time, order, duration, and frequency, through which Modiano’s unique philosophy of time and his deep understanding of the characters' inner world are fully revealed.
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