德尔斐阿波罗神庙(公元前 4 世纪)多彩饰的定位、特征描述和 3D 恢复新方法

Q1 Social Sciences
Vincent Baillet , Rémy Chapoulie , Bruno Dutailly , Francesca Galluzzi , Pascal Mora , Aurélie Mounier
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引用次数: 0

摘要

在古希腊,建筑和雕塑都是彩绘的。然而,由于缺乏证据,用于装饰建筑物的颜色的确切外观在很大程度上仍不为人所知。德尔斐的阿波罗神庙也不例外。自 1894 年发现该神庙以来,多色性问题已被部分研究。造成这种情况的原因是,很难通过简单的视觉观察直接发现古砖上的色彩痕迹。肉眼难以察觉其中的大部分。本文旨在采用一种基于考古计量学、摄影测量学和计算机分析的探索性方法,以确定肉眼无法察觉的多色性痕迹的位置和特征,并提供可用于重建古典晚期德尔斐阿波罗神庙建筑多色性的新数据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A new approach to locate, characterise and restore in 3D polychromy of Apollo’s temple at Delphi (4th century B. C.)

In Ancient Greece, architecture and sculpture were painted. Nevertheless, the exact appearance of the colours used to decorate buildings remains largely unknown due to lack of evidence. The Temple of Apollo at Delphi, is no exception to this process. Since its discovery in 1894, the question of polychromy has been partially studied. This situation can be explained by the difficulty of detecting colours traces directly on the ancient blocks by simple visual observation. The majority of them are imperceptible to the naked eye. This paper aims to put a exploratory methodology based on archaeometric, photogrammetric and computer analyses in order to the locate, characterize traces of polychromy that are invisible to the naked eye and to provide new data that can be used to reconstruct the architectural polychromy of the Temple of Apollo at Delphi in the late classical period.

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CiteScore
5.40
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发文量
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