{"title":"扎克伯格的微笑，或数字技术时代的存在感","authors":"Diana Taylor","doi":"10.1017/s1054204324000133","DOIUrl":null,"url":null,"abstract":"AI and AR do not merely coexist with the archive and repertoire as modes of transmission but profoundly alter them and prove profoundly anti-archival. “Live” transmission from body to body is radically altered by digital technologies that simulate presence. “Feeling truly present with another person,” Mark Zuckerberg stated, “is the ultimate dream of social media.” He aspires to create an avatar that can simulate an emotion that he cannot express—and make him more human. Are we being led back into Plato’s cave? Artists and humanists must be centrally involved in the epistemic, ontological, and political changes that accompany these new and evolving forms of transmission.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"61 21","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zuckerberg’s Smile, or Presence in the Age of Digital Technologies\",\"authors\":\"Diana Taylor\",\"doi\":\"10.1017/s1054204324000133\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"AI and AR do not merely coexist with the archive and repertoire as modes of transmission but profoundly alter them and prove profoundly anti-archival. “Live” transmission from body to body is radically altered by digital technologies that simulate presence. “Feeling truly present with another person,” Mark Zuckerberg stated, “is the ultimate dream of social media.” He aspires to create an avatar that can simulate an emotion that he cannot express—and make him more human. Are we being led back into Plato’s cave? Artists and humanists must be centrally involved in the epistemic, ontological, and political changes that accompany these new and evolving forms of transmission.\",\"PeriodicalId\":517571,\"journal\":{\"name\":\"TDR: The Drama Review\",\"volume\":\"61 21\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR: The Drama Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1054204324000133\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR: The Drama Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204324000133","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
人工智能和 AR 不仅仅作为传播方式与档案和剧目共存，还深刻地改变了它们，并被证明具有深刻的反档案性。身体与身体之间的 "现场 "传输被模拟在场的数字技术彻底改变。"马克-扎克伯格（Mark Zuckerberg）说："与他人真正在一起的感觉，是社交媒体的终极梦想"。他渴望创造一个可以模拟他无法表达的情感的化身，让他变得更有人性。我们是否又被带入了柏拉图的洞穴？艺术家和人文主义者必须积极参与伴随着这些新的、不断演变的传播形式而发生的认识论、本体论和政治变革。
Zuckerberg’s Smile, or Presence in the Age of Digital Technologies
AI and AR do not merely coexist with the archive and repertoire as modes of transmission but profoundly alter them and prove profoundly anti-archival. “Live” transmission from body to body is radically altered by digital technologies that simulate presence. “Feeling truly present with another person,” Mark Zuckerberg stated, “is the ultimate dream of social media.” He aspires to create an avatar that can simulate an emotion that he cannot express—and make him more human. Are we being led back into Plato’s cave? Artists and humanists must be centrally involved in the epistemic, ontological, and political changes that accompany these new and evolving forms of transmission.
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