坎帕尼亚和罗马西班牙城市建筑群中奥古斯蒂论坛上的凯里蒂女神图案的转变。语义学、风格学和图像学

Sofia Aleksandrovna Shadrina
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引用次数: 0

摘要

本文的研究对象是奥古斯都广场装饰中的轿子图案。该图案与其他元素一起,在罗马西班牙城市和坎帕尼亚地区的建筑群中反复出现。人们认为,奥古斯都广场的装饰图案中蕴含着早期帝国时代最重要的意识形态标志。尤其是装饰门廊阁楼的女祭司,是埃瑞克提翁(Erechtheion)著名人物的缩小复制品。这种借鉴与罗马通过复制其形象系统来美化罗马对希腊的统治有关。这项研究的主题是非经典组合中的卡里阿蒂亚图案所发生的转变过程。根据奥古斯特-埃默里塔、塔拉康和普蒂奥拉城市建筑群中 "莸 "图案在图标、风格和语义上的变化,作者提出了这些装饰元素转变的可能原因和选择。文章重点探讨了这种转变的可能原因,并试图通过对单一元素的分析来澄清 "奥古斯都论坛模式 "的概念,这一概念在研究文献中有着不同的含义和变体。由于缺乏对这一现象的单一定义,因此可以无限扩大模仿大都会原型而创建的纪念碑的范围。文章的作者并不支持这一观点,他将重点放在少数几个组合上,在这些组合中,不仅出现了相同的图示方案,而且还保留了装饰系统的逻辑。通过研究,我们有可能澄清奥古斯蒂论坛模式的概念,它并不意味着复制原作的图标和风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transformation of the caryatid motif from Forum Augusti in urban ensembles of Campania and Roman Spain. Semantics, stylistics and iconography
The object of research in this article is the motif of caryatids in the decoration of the Forum of Augustus. Along with other elements, it is repeated in the ensembles of the cities of Roman Spain and region of Campania. It is believed that the August Forum in its decorative program broadcasts the most important ideological markers of the Early Empire era. In particular, the caryatids decorating the attic of the portico are reduced replicas of the famous figures of the Erechtheion. Such a reference is connected with the glorification of Rome's power over Greece in the reproduction of its figurative system. The subject of the study was the process of transformation that occurs with the motif of caryatids in non-classical ensembles. Following the iconographic, stylistic and semantic changes in the caryatid motif in the ensembles of the cities of August Emerita, Tarracon and Puteola, the author suggests possible causes and options for the transformation of these decorative elements. The article focuses on the possible causes of such a transformation, and also attempts to clarify the concept of the "Forum Augusti model", which is found in the research literature in various meanings and variants, through the analysis of a single element. The lack of a single definition of this phenomenon makes it possible to infinitely expand the range of monuments that could be created in imitation of the metropolitan prototype. The author of the article does not support this position, focusing on a few ensembles in which not only the same iconographic schemes occur, but also the logic of the decorative system is preserved. As a result of the research, it was possible to clarify the concept of the Forum Augusti model, which implies not so much the reproduction of the iconography and stylistics of the original.
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