{"title":"卡吕普索、狂欢节和 Covid 19：从卡吕普索音乐的角度审视全球流行病时期黑人的音乐快乐","authors":"Meagan Sylvester","doi":"10.32997/pa-2024-4737","DOIUrl":null,"url":null,"abstract":"This paper will focus on the demonstration of Black joy as Black music, specifically Calypso and Soca music from Trinidad and Tobago and the Dutch Caribbean. In particular, emphasis will be placed on two case studies from the Dutch islands of Aruba, Curacao and St. Maarten and that of the most southerly isle of the Caribbean, Trinidad, focusing on the ways in which radio and television producers and personalites conjured up joy and nostalgia in their re-enactment of Carnival festivities during the pandemic.","PeriodicalId":500564,"journal":{"name":"Perspectivas Afro","volume":"1 7","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Calypso, Carnival and Covid 19: Examining Black Musical Joy in Times of a Global Pandemic Through the Lens of Calypso Music\",\"authors\":\"Meagan Sylvester\",\"doi\":\"10.32997/pa-2024-4737\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper will focus on the demonstration of Black joy as Black music, specifically Calypso and Soca music from Trinidad and Tobago and the Dutch Caribbean. In particular, emphasis will be placed on two case studies from the Dutch islands of Aruba, Curacao and St. Maarten and that of the most southerly isle of the Caribbean, Trinidad, focusing on the ways in which radio and television producers and personalites conjured up joy and nostalgia in their re-enactment of Carnival festivities during the pandemic.\",\"PeriodicalId\":500564,\"journal\":{\"name\":\"Perspectivas Afro\",\"volume\":\"1 7\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-06-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Perspectivas Afro\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.32997/pa-2024-4737\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perspectivas Afro","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.32997/pa-2024-4737","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Calypso, Carnival and Covid 19: Examining Black Musical Joy in Times of a Global Pandemic Through the Lens of Calypso Music
This paper will focus on the demonstration of Black joy as Black music, specifically Calypso and Soca music from Trinidad and Tobago and the Dutch Caribbean. In particular, emphasis will be placed on two case studies from the Dutch islands of Aruba, Curacao and St. Maarten and that of the most southerly isle of the Caribbean, Trinidad, focusing on the ways in which radio and television producers and personalites conjured up joy and nostalgia in their re-enactment of Carnival festivities during the pandemic.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
