Ana Curić Curić, Ivan Jerković Jerković, Fabio Cavalli, Ivana Kružić Kružić, Tina Bareša, Andrej Bašić Bašić, Marko Mladineo Mladineo, Robert Jozić, Goran Balić, Duje Matetić, Deni Tojčić, Krešimir Dolić, Ivan Skejić, Ž. Bašić
{"title":"勇士归来:结合人类学、成像技术和艺术重建中世纪早期骸骨的面容","authors":"Ana Curić Curić, Ivan Jerković Jerković, Fabio Cavalli, Ivana Kružić Kružić, Tina Bareša, Andrej Bašić Bašić, Marko Mladineo Mladineo, Robert Jozić, Goran Balić, Duje Matetić, Deni Tojčić, Krešimir Dolić, Ivan Skejić, Ž. Bašić","doi":"10.3390/heritage7060142","DOIUrl":null,"url":null,"abstract":"Reconstructing the face from the skull is important not only for forensic identification but also as a tool that can provide insight into the appearance of individuals from past populations. It requires a multidisciplinary approach that combines anthropological knowledge, advanced imaging methods, and artistic skills. In the present study, we demonstrate this process on the skull of an early medieval warrior from Croatia. The skeletal remains were prepared and scanned using multi-slice computed tomography (MSCT) and examined using standard anthropological and radiological methods. The analysis revealed that the remains belonged to a 35–45-year-old male individual who had suffered severe cranial trauma, probably causing his death. From MSCT images, we reconstructed a three-dimensional (3D) model of the skull, on which we digitally positioned cylinders demarking the soft tissue thickness and created the face with a realistic texture. A 3D model of the face was then optimized, printed, and used to produce a clay model. Sculpturing techniques added skin textures and facial features with scars and trauma manifestations. Finally, after constructing a plaster model, the model was painted and refined by adding fine details like eyes and hair, and it was prepared for presentation in the form of a sculpture.","PeriodicalId":12934,"journal":{"name":"Heritage","volume":null,"pages":null},"PeriodicalIF":2.0000,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Return of the Warrior: Combining Anthropology, Imaging Advances, and Art in Reconstructing the Face of the Early Medieval Skeleton\",\"authors\":\"Ana Curić Curić, Ivan Jerković Jerković, Fabio Cavalli, Ivana Kružić Kružić, Tina Bareša, Andrej Bašić Bašić, Marko Mladineo Mladineo, Robert Jozić, Goran Balić, Duje Matetić, Deni Tojčić, Krešimir Dolić, Ivan Skejić, Ž. Bašić\",\"doi\":\"10.3390/heritage7060142\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Reconstructing the face from the skull is important not only for forensic identification but also as a tool that can provide insight into the appearance of individuals from past populations. It requires a multidisciplinary approach that combines anthropological knowledge, advanced imaging methods, and artistic skills. In the present study, we demonstrate this process on the skull of an early medieval warrior from Croatia. The skeletal remains were prepared and scanned using multi-slice computed tomography (MSCT) and examined using standard anthropological and radiological methods. The analysis revealed that the remains belonged to a 35–45-year-old male individual who had suffered severe cranial trauma, probably causing his death. From MSCT images, we reconstructed a three-dimensional (3D) model of the skull, on which we digitally positioned cylinders demarking the soft tissue thickness and created the face with a realistic texture. A 3D model of the face was then optimized, printed, and used to produce a clay model. Sculpturing techniques added skin textures and facial features with scars and trauma manifestations. Finally, after constructing a plaster model, the model was painted and refined by adding fine details like eyes and hair, and it was prepared for presentation in the form of a sculpture.\",\"PeriodicalId\":12934,\"journal\":{\"name\":\"Heritage\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":2.0000,\"publicationDate\":\"2024-06-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Heritage\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/heritage7060142\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/heritage7060142","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Return of the Warrior: Combining Anthropology, Imaging Advances, and Art in Reconstructing the Face of the Early Medieval Skeleton
Reconstructing the face from the skull is important not only for forensic identification but also as a tool that can provide insight into the appearance of individuals from past populations. It requires a multidisciplinary approach that combines anthropological knowledge, advanced imaging methods, and artistic skills. In the present study, we demonstrate this process on the skull of an early medieval warrior from Croatia. The skeletal remains were prepared and scanned using multi-slice computed tomography (MSCT) and examined using standard anthropological and radiological methods. The analysis revealed that the remains belonged to a 35–45-year-old male individual who had suffered severe cranial trauma, probably causing his death. From MSCT images, we reconstructed a three-dimensional (3D) model of the skull, on which we digitally positioned cylinders demarking the soft tissue thickness and created the face with a realistic texture. A 3D model of the face was then optimized, printed, and used to produce a clay model. Sculpturing techniques added skin textures and facial features with scars and trauma manifestations. Finally, after constructing a plaster model, the model was painted and refined by adding fine details like eyes and hair, and it was prepared for presentation in the form of a sculpture.