表演泥炭藓：隐者《毯子下面》中的生态伦理

IF 0.8 3区艺术学 0 THEATER

THEATRE JOURNAL Pub Date : 2024-06-06 DOI:10.1353/tj.2024.a929511

Angenette Spalink

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引用次数: 0

摘要

摘要：爱丁堡皇家植物园的表演装置 "毯下"（Below the Blanket，2019 年）展现了世界上最大的毯状沼泽系统 "流之国"（Flow Country）中错综复杂的多物种关系。虽然 "毯子之下 "通过各种艺术媒介表现了 "流之国"，但构成沼泽的物质--泥炭藓和泥炭藓--却明显缺席。本文运用批判性植物理论、生态戏剧理论和表演理论，探讨了在植物园的殖民背景下上演苔藓等生态物质的伦理问题，并对复杂的生态表演伦理提出了见解。

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Performing Sphagnum: Ecological Ethics in Cryptic's Below the Blanket

Abstract:

Below the Blanket (2019), a performance installation at the Royal Botanic Garden Edinburgh, staged the enmeshed multispecies relationships present in the Flow Country, the largest blanket bog system in the world. While Below the Blanket represented the Flow Country through various artistic mediums, the physical matter—the sphagnum and peat mosses—that comprises the bog was conspicuously absent. Using critical plant theory, ecodramaturgies, and performance theory, this article grapples with the ethics of staging ecological matter such as mosses within the colonial contexts of the botanic garden and provides insights into the complex ethics of ecological performance.

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来源期刊

THEATRE JOURNAL THEATER-

CiteScore

0.40

自引率

40.00%

发文量

期刊介绍： For over five decades, Theatre Journal"s broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production.