以对象为导向的本体论塑造细菌艺术和非人类代理的视角

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2024-06-01 DOI:10.1162/leon_a_02522
Roslina Ismail, Amira Hanafi, Kamaruzaman Jusoff
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引用次数: 0

摘要

细菌艺术研究为研究面向对象的本体论(OOO)哲学框架提供了机会。这种观点通过强调包括微生物在内的所有物体的自主性和能动性,对传统的以人为本的观点提出了挑战。物体有自己固有的属性,并被视为世界上平等的参与者。作者强调了人类与微生物之间的动态关系,以及细菌在生物艺术中的作用。细菌艺术引发了人们对控制、作者身份、美学和伦理学的关注,需要进行跨学科讨论和批判性评估。本研究提供了一个耐人寻味的案例,探讨了 OOO 在科学与艺术交叉领域的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency

The study of bacterial art provides an opportunity to investigate the philosophical framework of object-oriented ontology (OOO). This viewpoint challenges traditional human-centered perspectives by highlighting the autonomy and agency of all objects, including microorganisms. Objects have their own inherent properties and are regarded as equal actors in the world. The authors highlight the dynamic relationship between humans and microorganisms and the agency of bacteria in bioart. Bacterial art raises concerns regarding control, authorship, aesthetics, and ethics, necessitating interdisciplinary discussions and critical evaluations. This study provides an intriguing case examining the implications of OOO at the intersection of science and art.

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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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