{"title":"新世界的碎片","authors":"Nicole-Ann Lobo","doi":"10.1353/dss.2024.a929034","DOIUrl":null,"url":null,"abstract":"<p><p>A photograph of Sita Valles dressed in a paisley blue miniskirt with a hand on her hip, leaning against a glossy red car, has made the young revolutionary an icon. It appears on book covers, posters, and a mural in Panjim, the capital of Goa, India. In <i>Two Refusals (Would We Recognize Ourselves Unbroken?)</i>, a film by the Goan-American artist Suneil Sanzgiri recently on view at the Brooklyn Museum, Sita's brother Edgar Valles, a lawyer living in Portugal, tells her story.</p></p>","PeriodicalId":51822,"journal":{"name":"Dissent","volume":"15 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fragments of a New World\",\"authors\":\"Nicole-Ann Lobo\",\"doi\":\"10.1353/dss.2024.a929034\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>A photograph of Sita Valles dressed in a paisley blue miniskirt with a hand on her hip, leaning against a glossy red car, has made the young revolutionary an icon. It appears on book covers, posters, and a mural in Panjim, the capital of Goa, India. In <i>Two Refusals (Would We Recognize Ourselves Unbroken?)</i>, a film by the Goan-American artist Suneil Sanzgiri recently on view at the Brooklyn Museum, Sita's brother Edgar Valles, a lawyer living in Portugal, tells her story.</p></p>\",\"PeriodicalId\":51822,\"journal\":{\"name\":\"Dissent\",\"volume\":\"15 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-06-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dissent\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1353/dss.2024.a929034\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"POLITICAL SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dissent","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1353/dss.2024.a929034","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"POLITICAL SCIENCE","Score":null,"Total":0}
A photograph of Sita Valles dressed in a paisley blue miniskirt with a hand on her hip, leaning against a glossy red car, has made the young revolutionary an icon. It appears on book covers, posters, and a mural in Panjim, the capital of Goa, India. In Two Refusals (Would We Recognize Ourselves Unbroken?), a film by the Goan-American artist Suneil Sanzgiri recently on view at the Brooklyn Museum, Sita's brother Edgar Valles, a lawyer living in Portugal, tells her story.
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