路易丝-奥托-彼得斯对工业革命的矛盾抒情视角

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Alexandra Huth
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引用次数: 0

摘要

路易丝-奥托-彼得斯(Louise Otto-Peters,1819-95 年)在 1848 年三月革命前后动荡的几十年中,曾是一名政治活动家、女权活动家、宣传家和作家。路易丝-奥托出身于中产阶级的自由主义圈子,在她的报刊文章、小说和诗歌中,她对社会不满和社会发展发表了评论。这同样适用于本文将从诠释学角度研究的写于 1840 年至 1850 年间的诗歌《Einst und Jetzt》。正如标题所示,这首诗勾勒了过去与现在或未来的二元对立。在这首诗中,铁路的到来是工业变革的象征,诗歌着重描写了和平的旧世界与喧嚣、高速和发展的新世界之间的对比。一个年轻人被卷入了新世界,而他的爱人却留在家中,被排斥在社会和工业变革带来的创新之外。我根据以下问题来研究这首诗:这首诗表达了对工业革命及其后果的哪些观点?这首诗在哪些方面是女性主义文本?这首诗在路易丝-奥托-彼得斯的文学政治背景中处于什么位置?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO-PETERS

Louise Otto-Peters (1819–95) worked as a political activist, women's rights activist, publicist and writer in the turbulent decades before and after the March Revolution of 1848. These pursuits were closely linked, since Louise Otto, who came from middle-class liberal circles, commented on social grievances and developments in her newspaper articles, novels and poems. This also applies to the poem ‘Einst und Jetzt’, written between 1840 and 1850, which is hermeneutically examined in this article. As the title suggests, the text outlines the dichotomy of past and present or future. The poem, in which the arrival of the railway is a symbol of industrial change, focuses on the contrast between the old, peaceful world and the new world with its noise, faster speed and growth. A young man is drawn into the new world, while his beloved stays at home and is excluded from the innovation resulting from social and industrial upheaval. I examine the poem according to the following questions: What perspectives on the Industrial Revolution and its consequences are expressed and how? In what ways is the poem a feminist text? And where does the poem sit in terms of Louise Otto-Peters’ literary-political background?

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来源期刊
GERMAN LIFE AND LETTERS
GERMAN LIFE AND LETTERS LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.20
自引率
0.00%
发文量
43
期刊介绍: - German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.
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