唐-德里罗《地下世界》中的情感主体与废物观念

IF 0.5 2区 文学 0 LITERATURE
Aaron F. Schneeberger
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引用次数: 0

摘要

摘要:本文通过情感和体现认知理论的视角,解读了唐-德里罗《地下世界》中的废物特例。具体而言,文章探讨了小说人物的身体和感知习惯是如何通过与废物的接触而形成的。此外,该书还认为,这些对废物的认知、态度和处置方式的变化表明,在 20 世纪后半叶,资本主义主体的发展发生了更广泛的变化。具体而言,小说描绘了一个从调和资本主义增长与传统主义的愿望(这与 20 世纪中叶主导保守主义思想的 "融合主义 "并无二致)向后里根时代美国流行的无止境资本主义增长的乌托邦愿景的转变。因此,小说认为,与其用意识形态等更传统的标准来衡量人物的政治倾向,不如从他们的情感和身体习惯来理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Affective Subjects and Perceptions of Waste in Don Delillo's Underworld

Abstract:

This article reads the trope of waste in Don DeLillo’s Underworld through the lens of theories of affect and embodied cognition. Specifically, it examines how the bodily and perceptual habits of the novel’s characters are shaped through encounters with waste. Furthermore, it argues that these changing perceptions, attitudes, and dispositions toward waste demonstrate broader shifts in the development of capitalist subjects during the latter half of the twentieth century. Specifically, the novel depicts a transition from a desire to reconcile capitalist growth with traditionalism, not unlike the “fusionism” that dominated conservative thought during the middle of the twentieth century, to a more utopian vision of boundless capitalist growth popularized in post-Reagan America. The novel thus suggests that the political dispositions of its characters are better understood in terms of their affects and bodily habits than more traditional metrics like ideology.

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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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