通过整合触觉反馈增强复杂颤音技术的 DMI 互动

Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley
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引用次数: 0

摘要

本文研究了在数字乐器(DMI)中整合力反馈的问题,特别是评估了使用触觉反馈控制器再现复杂揉弦技术的情况。我们介绍了使用力反馈进行揉弦调制的系统,该系统由 Bend-aid(使用预先设计的触觉反馈模型的网络编曲平台)和 TorqueTuner(用于生成可编程触觉效果的开源 1 自由度(DoF)旋转触觉设备)组成。我们设计了一项正式的用户研究,以评估每种触觉模式在模仿颤音任务中对用户体验的影响。20 名受过音乐训练的参与者对三种触觉模式(平滑、棘爪和弹簧)的用户体验进行了评分,采用的是四项李克特量表评分:舒适度、灵活性、易控性和对任务的帮助。最后,我们请参与者分享他们的反思。我们的研究表明,虽然 "弹簧 "模式对轻微颤音有帮助,但音乐训练背景不同的人对触觉模式的偏好也不同。这就强调了在 DMI 设计中需要有适应性强的任务界面和灵活的触觉反馈。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique
This paper investigates the integration of force feedback in Digital Musical Instruments (DMI), specifically evaluating the reproduction of intricate vibrato techniques using haptic feedback controllers. We introduce our system for vibrato modulation using force feedback, composed of Bend-aid (a web-based sequencer platform using pre-designed haptic feedback models) and TorqueTuner (an open-source 1 Degree-of-Freedom (DoF) rotary haptic device for generating programmable haptic effects). We designed a formal user study to assess the impact of each haptic mode on user experience in a vibrato mimicry task. Twenty musically trained participants rated their user experience for the three haptic modes (Smooth, Detent, and Spring) using four Likert-scale scores: comfort, flexibility, ease of control, and helpfulness for the task. Finally, we asked participants to share their reflections. Our research indicates that while the Spring mode can help with light vibrato, preferences for haptic modes vary based on musical training background. This emphasizes the need for adaptable task interfaces and flexible haptic feedback in DMI design.
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