人工智能时代的中介符号学。艺术的挑战与机遇

Asunción López-Varela Azcárate
{"title":"人工智能时代的中介符号学。艺术的挑战与机遇","authors":"Asunción López-Varela Azcárate","doi":"10.1016/j.techum.2024.04.001","DOIUrl":null,"url":null,"abstract":"<div><div>The intermedial synergies between art and technology have seduced numerous artists and intellectuals throughout history. The history of intermediality involves aspects regarding the material medium, closely related to changing technologies and apparatuses, the affordances of medium specificity, delivery mechanisms and channels, circulation and reception practices, and an entire ecology of production and use, embedded in particular institutional and sociocultural contexts. The hybridization and transdisciplinary exchanges between art and technology have given rise to novel forms of intermedial inquiry, enriching the co-creative process between human users and machines, and contributing to the exploration of aspects related to co-creation and distributed agency. From a semiotic perspective, this paper explores the inception of AI and the changes it brings to the intermedial scenario as related to the arts. Will AI help humans make new kinds of art, or is it more likely to emerge as a competitor for those working in creative industries? The paper is structured around the intermedial quality of AI, with an inquiry into co-creation as well as the divide or symbiosis between the ‘Natural’ and the ‘Artificial’, examined from a historical perspective. The second part of the paper explores examples of BioArt in their intersections with AI. Drawing on previous work by Walter Benjamin, Roland Barthes, Gilles Deleuze and N. Katherine Hayles, the research examines their contributions in relation to the notion of cognitive nonconsciousness and the potential imaginative capacity of AI.</div></div>","PeriodicalId":100956,"journal":{"name":"New Techno-Humanities","volume":"3 2","pages":"Pages 108-116"},"PeriodicalIF":0.0000,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intermedial semiotics in the age of artificial intelligence. Challenges and opportunities for the arts\",\"authors\":\"Asunción López-Varela Azcárate\",\"doi\":\"10.1016/j.techum.2024.04.001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><div>The intermedial synergies between art and technology have seduced numerous artists and intellectuals throughout history. The history of intermediality involves aspects regarding the material medium, closely related to changing technologies and apparatuses, the affordances of medium specificity, delivery mechanisms and channels, circulation and reception practices, and an entire ecology of production and use, embedded in particular institutional and sociocultural contexts. The hybridization and transdisciplinary exchanges between art and technology have given rise to novel forms of intermedial inquiry, enriching the co-creative process between human users and machines, and contributing to the exploration of aspects related to co-creation and distributed agency. From a semiotic perspective, this paper explores the inception of AI and the changes it brings to the intermedial scenario as related to the arts. Will AI help humans make new kinds of art, or is it more likely to emerge as a competitor for those working in creative industries? The paper is structured around the intermedial quality of AI, with an inquiry into co-creation as well as the divide or symbiosis between the ‘Natural’ and the ‘Artificial’, examined from a historical perspective. The second part of the paper explores examples of BioArt in their intersections with AI. Drawing on previous work by Walter Benjamin, Roland Barthes, Gilles Deleuze and N. Katherine Hayles, the research examines their contributions in relation to the notion of cognitive nonconsciousness and the potential imaginative capacity of AI.</div></div>\",\"PeriodicalId\":100956,\"journal\":{\"name\":\"New Techno-Humanities\",\"volume\":\"3 2\",\"pages\":\"Pages 108-116\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Techno-Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S2664329424000062\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Techno-Humanities","FirstCategoryId":"1085","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S2664329424000062","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intermedial semiotics in the age of artificial intelligence. Challenges and opportunities for the arts
The intermedial synergies between art and technology have seduced numerous artists and intellectuals throughout history. The history of intermediality involves aspects regarding the material medium, closely related to changing technologies and apparatuses, the affordances of medium specificity, delivery mechanisms and channels, circulation and reception practices, and an entire ecology of production and use, embedded in particular institutional and sociocultural contexts. The hybridization and transdisciplinary exchanges between art and technology have given rise to novel forms of intermedial inquiry, enriching the co-creative process between human users and machines, and contributing to the exploration of aspects related to co-creation and distributed agency. From a semiotic perspective, this paper explores the inception of AI and the changes it brings to the intermedial scenario as related to the arts. Will AI help humans make new kinds of art, or is it more likely to emerge as a competitor for those working in creative industries? The paper is structured around the intermedial quality of AI, with an inquiry into co-creation as well as the divide or symbiosis between the ‘Natural’ and the ‘Artificial’, examined from a historical perspective. The second part of the paper explores examples of BioArt in their intersections with AI. Drawing on previous work by Walter Benjamin, Roland Barthes, Gilles Deleuze and N. Katherine Hayles, the research examines their contributions in relation to the notion of cognitive nonconsciousness and the potential imaginative capacity of AI.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信