北郡监狱

Sora Han
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引用次数: 0

摘要

本文以位于奥克兰市中心、现已空置的北郡监狱为契机,探讨了监狱建设和建筑的历史。当 COVID-19 肆虐拥挤不堪的监狱时,州政府没有将其投入使用,城市也没有想方设法为无家可归的人提供住所,在 COVID-19 大流行的高峰期,它的空置变得更加重要。废奴主义者如何处理这些空缺?受安吉拉-戴维斯(Angela Davis)对纽约妇女拘留所的声波地理学回忆的启发,本文通过关注监狱窗户的奇特边界,表现废奴主义思想是如何参与并超越全景主义条款的。概念艺术家索尼娅-克拉克(Sonya Clark)和查里斯-佩尔利纳-韦斯顿(Charisse Pearlina Weston)的废奴主义雕塑想象为这些窗户反射、传递和遮蔽的阴影和声音提供了新的处理方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
North County Jail
This article explores the history of jail construction and architecture on the occasion of a now vacant North County Jail that sits in the center of downtown Oakland. Put to use neither by the state as COVID-19 ravaged overcrowded prisons nor by the city trying to find ways of offering shelter to the houseless, its vacancy became all the more material during the height of the COVID-19 pandemic. What do abolitionists do with such vacancies? Inspired by the sonic geography of Angela Davis's memories of the New York Women's House of Detention, this article is a performance of how abolitionist thought both engages and exceeds the terms of panopticism by focusing on the curious boundary of the panoptic jail window. The sculptural abolitionist imaginaries provoked by conceptual artists Sonya Clark and Charisse Pearlina Weston provide new ways of doing things with the shadows and sounds these windows reflect, transmit, and occlude.
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