新陈代谢的现代性:早期苏联文学中的消化、能量转换以及世界的生成与解构

E. Fratto
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引用次数: 0

摘要

早期苏联社会制定了明确的营养指南,并在食品加工、分配和消费方面制定了精简物流的有力计划,所有这些都旨在通过将卡路里良性转化为劳动能力来建设一个更强大的国家。这些言论甚至出现在儿童绘本中,如弗拉基米尔-马亚科夫斯基和尼古拉-库普列亚诺夫的《胖男孩佩蒂亚和瘦子西玛的故事》(1926 年)。本文展示了 20 世纪 20 年代维克多-什克洛夫斯基(Viktor Shklovskii)和尤里-奥列沙(Iurii Olesha)等作家是如何通过运用食物、消化和农业的隐喻来反驳苏联早期对规划和驾驭自然与人体的痴迷。在什克洛夫斯基的回忆录《多愁善感的旅行》(1923 年)和《骑士的行动》(1923 年)以及奥列沙的小说《嫉妒》(1927 年)中,十月革命本身就是一个大规模的新陈代谢过程:革命前的美学线索、主题和概念被分解、加工、重新组合,并重新组合成一个看似崭新的社会和世界观,其中的各个原始组成部分仍然清晰可辨。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Metabolic Modernities: Digestion, Energy Transformations, and the Making and Unmaking of the World in Early Soviet Literature
Early Soviet society featured clear nutrition guidelines and a robust plan for streamlined logistics in food processing, distribution, and consumption, all of which was aimed at building a stronger state through a virtuous transformation of calories into labor power. Such rhetoric appeared even in children’s illustrated books, such as Vladimir Maiakovskii and Nikolai Kupreianov’s Story of Petia, Fat Boy, and of Sima, Who is Skinny (1926). This paper shows how in the 1920s authors such as Viktor Shklovskii and Iurii Olesha turned that rhetoric on its head and pushed back against the early Soviet obsession with planning and mastering nature and the human body by employing metaphors of food, digestion, and agriculture. In Shklovskii’s memoirs A Sentimental Journey (1923) and Knight’s Move (1923) and Olesha’s novel Envy (1927), the October Revolution itself emerges as a metabolic process on a vast scale: prerevolutionary aesthetic threads, motifs, and concepts are broken down and processed, reassembled, and repurposed into a seemingly new society and worldview, in which the individual original components are still recognizable.
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