共产主义运动中的女性目光:战时和二战时期的女摄影师

IF 1.7 Q2 INDUSTRIAL RELATIONS & LABOR
Giulia Strippoli
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引用次数: 1

摘要

妇女参与了共产主义运动,并为共产主义文化做出了贡献。在妇女史、视觉艺术、性别研究、社会主义史和共产主义史的交叉领域,本文聚焦六位女性摄影师--蒂娜-莫多蒂(Tina Modotti)、伊丽扎维塔-米库利娜(Elizaveta Mikulina)、吉赛尔-弗罗因德(Gisèle Freund)、利塞特-莫德尔(Lisette Model)、朱莉娅-皮罗特(Julia Pirotte)和格尔达-塔尔(Gerda Tar)--分析了她们的作品在共产主义报刊和同情共产主义事业的圈子里的传播情况。对女摄影师目光的研究有助于深入了解共产主义运动的网络和共产主义文化的多元美学。通过跨越女性的生活和作品、她们的主体性和政治道路、她们所拍摄图像的记录和艺术遗产,文章展示了共产国际和第二次世界大战期间女摄影师的创作为何以及如何与共产主义文化交织在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Female Gazes in the Communist Movement: Women Photographers in the Interwar Period and World War ii
Women participated in communist movements and contributed to communist culture. At the intersection of women’s history, visual arts, gender studies, history of socialism, and the history of communism, this article focuses on six women photographers—Tina Modotti, Elizaveta Mikulina, Gisèle Freund, Lisette Model, Julia Pirotte, and Gerda Taro—analysing the circulation of their works in the communist press and in circles sympathetic with the communist cause. The research on women photographers’ gazes contributes to a deeper understanding of both the lager networks of communist movement and the multifaceted aesthetics of communist culture. By crossing women’s lives and works, their subjectivity and political paths, the documental and artistic legacy of the images they have produced, the article demonstrates why and how women photographers’ production intersects communist culture during the Comintern and World War ii.
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来源期刊
Journal of Labor and Society
Journal of Labor and Society INDUSTRIAL RELATIONS & LABOR-
CiteScore
0.60
自引率
7.70%
发文量
41
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