希腊艺术的统一性与多样性

Olga Palagia
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引用次数: 0

摘要

在古典时期,雅典艺术或多或少地主导着希腊世界的视觉文化,但并非在所有地区都是如此。我们在此探讨雅典对已形成自己地方传统的地区的艺术和建筑的影响。这种情况发生在政治和社会危机时期。在公元前五世纪和公元前四世纪的最后几十年中都可以发现这种危机。我们将首先探讨伯罗奔尼撒战争对阿卡迪亚和拉科尼亚艺术发展的影响,最后探讨拉米安战争后马其顿征服雅典的后果。在四世纪的最后二十年里,马其顿人似乎雇佣了阿提卡石匠在马其顿复制雅典的建筑,而法勒隆的德米特里欧斯对雅典施加的豪华墓碑禁令也驱使雅典艺术家移居马其顿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unity and Diversity in Greek Art
Athenian art was more or less dominant in the visual culture of the Greek world in the classical period but not in all areas. We explore here the influence of Athens on the art and architecture of regions that had developed their own local traditions. Thishappened in times of crisis, political as well as social. Such crises can be detected in the last decades of both the fifth and the fourth centuries BCE. We will begin by examining the impact of the Peloponnesian War on the artistic development of Arcadia and Laconiaand conclude with the aftermath of the Macedonian conquest of Athens after the Lamian War. It appears that in the last twenty years of the fourth century the Macedonians hired Attic masons to reproduce Athenian buildings in Macedonia, and the ban on luxurious grave monuments imposed on Athens by Demetrios of Phaleron drove Athenian artists to emigrate to Macedonia.
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