探索非教会信徒对圣诞节前大教堂 "圣歌与灯光 "活动的反应

Ursula Mckenna, Leslie J. Francis, A. Village, Francis Stewart
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摘要

大教堂研究领域的两项概念性研究从理论上探讨了英国圣公会大教堂比教区教堂更成功地与更广泛的非教会社区进行互动的能力。其中一个方面探讨了如何调动大教堂的隐喻,而另一个方面则探讨了隐性宗教的概念。这两个方面都阐明了活动和装置在缓和公共场所与神圣空间之间的界限方面所具有的力量。本研究通过对 978 名参加了 2022 年 12 月利物浦大教堂圣诞节前的 "阳光与光明 "活动的人进行定量调查,分析了 123 名从不参加教堂礼拜的参与者的定性回答。这些数据产生了三类主题,分别涉及大教堂本身、装置和不和谐体验:本文从大教堂研究的科学视角出发,利用原始定性数据,揭示了从不参加教堂礼拜的参与者在参与一座大型大教堂圣诞节前的 "阳光与光明 "活动时的体验。这些数据在隐性宗教的框架内进行了概念化,证实了 "圣歌与灯火 "如何成功地淡化了神圣与世俗之间的界限,并提供了一种感人至深的体验。正如一位参与者所说,"我不信教,但我有过最美好的体验"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring the responses of non-churchgoers to a cathedral pre-Christmas son et lumiere
Two conceptual strands of research within the field of cathedral studies have theorised the capacity of Anglican cathedrals to engage more successfully than parish churches with the wider non-churchgoing community. One strand has explored mobilising cathedral metaphors, and the other strand has explored the notion of implicit religion. Both strands illuminate the power of events and installations to soften the boundaries between common ground and sacred space. Drawing on a quantitative survey among 978 people who attended the pre-Christmas son et lumiere at Liverpool Cathedral during December 2022, the present study analyses the qualitative responses of 123 participants who never attend church services. Three categories of themes emerged from these data, concerning the Cathedral itself, the installation, and discordant experience.Contribution: Situated within the science of cathedral studies, this article draws on original qualitative data to illuminate the experiences of participants who never attend church services when engaging with the pre-Christmas son et lumiere at a major cathedral. Conceptualised within the framework of implicit religion, these data confirmed how the son et lumiere succeeded in softening boundaries between the sacred and the secular and provided a deeply moving experience. As one participant said, ‘I am not religious, but I had the best experience ever’.
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