{"title":"倾听黑人的声音,或倾听胡安娜-埃斯佩兰萨-德-圣阿尔贝托的倾听","authors":"Cesar D. Favila","doi":"10.1353/boc.2022.a927747","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>The roundtable \"Listening for Black Voices: A Conversation on Musicology Today\" for the colloquium devoted to \"Recovering Black Performance in Early Modern Iberia\" invites a reflection on silence and listening, especially when attending to the life of New Spain's only known Black nun, Juana Esperanza de San Alberto (?–1679).</p></p>","PeriodicalId":42292,"journal":{"name":"BULLETIN OF THE COMEDIANTES","volume":"40 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Listening to Black Voices, or Listening to Juana Esperanza de San Alberto's Listening\",\"authors\":\"Cesar D. Favila\",\"doi\":\"10.1353/boc.2022.a927747\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>The roundtable \\\"Listening for Black Voices: A Conversation on Musicology Today\\\" for the colloquium devoted to \\\"Recovering Black Performance in Early Modern Iberia\\\" invites a reflection on silence and listening, especially when attending to the life of New Spain's only known Black nun, Juana Esperanza de San Alberto (?–1679).</p></p>\",\"PeriodicalId\":42292,\"journal\":{\"name\":\"BULLETIN OF THE COMEDIANTES\",\"volume\":\"40 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-05-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BULLETIN OF THE COMEDIANTES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/boc.2022.a927747\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BULLETIN OF THE COMEDIANTES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/boc.2022.a927747","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:"聆听黑人的声音:现代早期伊比利亚黑人表演的恢复 "学术研讨会的圆桌会议 "聆听黑人的声音:今日音乐学的对话 "引发了人们对沉默与聆听的思考,尤其是在关注新西班牙唯一已知的黑人修女胡安娜-埃斯佩兰萨-德-圣阿尔贝托(Juana Esperanza de San Alberto,?-1679 年)的一生时。
Listening to Black Voices, or Listening to Juana Esperanza de San Alberto's Listening
Abstract:
The roundtable "Listening for Black Voices: A Conversation on Musicology Today" for the colloquium devoted to "Recovering Black Performance in Early Modern Iberia" invites a reflection on silence and listening, especially when attending to the life of New Spain's only known Black nun, Juana Esperanza de San Alberto (?–1679).
期刊介绍:
Published semiannually by the Comediantes, an international group of scholars interested in early modern Hispanic theater, the Bulletin welcomes articles and notes in Spanish and English dealing with sixteenth- and seventeenth-century peninsular and colonial Latin American drama. Submissions are refereed by at least two specialists in the field. In order to expedite a decision.