The Metaphor in movement

In a world where the right to opinion and freedom of expression endure, freedom, subjectivity, universality, and transdisciplinarity merge and create the particular and specific meanings of metaphors, beyond semantics. But how much freedom does a metaphor actually have? Who gives meaning to metaphors? What is their purpose, and who gives meaning to their purposes? And why can't we abandon metaphorical thinking and speaking in any aspect of our lives? Is there total freedom, or is it just an illusion? If it didn't exist, then there would be no action, no choice, no "doing"; therefore, there would be no free will and no creation. Although the freedom of metaphor is limited not only by the imagination of the person who creates it but also by other factors of human, social, and academic nature, metaphors find their meanings in the fields of activity in which the brain that conceives them operates. In other words, people associate what they hear and perceive with what they know and are interested in; always! In dance, the body of a dancer, through the unarticulated expression of his thoughts and emotions, becomes the metaphor of his language. For it is the mind that creates personality, and personality defines the style of movement and creates the body-metaphor.