{"title":"世纪的 Tragaldabas,城市的 borujón","authors":"Alberto Fadón Duarte","doi":"10.5325/caliope.29.1.0076","DOIUrl":null,"url":null,"abstract":"\n This article deals with the channels of humorousness in a little-known ballad by Antonio de Zamora about The Escurial. It explores some of the implications of the category of the “jocoserio” within the panorama of Golden Age laughter. Next, it analyzes the structure and elocution of the composition, paying particular attention to the mixture of the burlesque register with the encomiastic purpose.","PeriodicalId":370482,"journal":{"name":"Calíope","volume":"3 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tragaldabas de los siglos, borujón de las ciudades\",\"authors\":\"Alberto Fadón Duarte\",\"doi\":\"10.5325/caliope.29.1.0076\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article deals with the channels of humorousness in a little-known ballad by Antonio de Zamora about The Escurial. It explores some of the implications of the category of the “jocoserio” within the panorama of Golden Age laughter. Next, it analyzes the structure and elocution of the composition, paying particular attention to the mixture of the burlesque register with the encomiastic purpose.\",\"PeriodicalId\":370482,\"journal\":{\"name\":\"Calíope\",\"volume\":\"3 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Calíope\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/caliope.29.1.0076\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Calíope","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/caliope.29.1.0076","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文论述了安东尼奥-德-萨莫拉(Antonio de Zamora)创作的一首鲜为人知的关于 "埃斯库拉尔 "的民谣中的幽默渠道。文章探讨了 "戏曲 "这一类别在黄金时代笑声全景中的一些含义。接下来,它分析了作品的结构和口语,尤其关注了滑稽音域与诙谐目的的混合。
Tragaldabas de los siglos, borujón de las ciudades
This article deals with the channels of humorousness in a little-known ballad by Antonio de Zamora about The Escurial. It explores some of the implications of the category of the “jocoserio” within the panorama of Golden Age laughter. Next, it analyzes the structure and elocution of the composition, paying particular attention to the mixture of the burlesque register with the encomiastic purpose.