广播剧院的舞台--新的隐喻空间

Dana Enache
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引用次数: 0

摘要

这项研究以理论和实际的个人实例为动机,解释了为什么我认为广播剧的境界具有隐喻性和独创性。文章的第一部分探讨了表演技巧的三个要素:想象力、声音和节奏。这些元素在广播剧中不可避免地存在,展示了斯坦尼斯拉夫斯基方法的持久相关性,这可以证明这位俄罗斯理论家对戏剧的思考方式随着时间的推移具有普遍性。随后,文章讨论了作为顶级戏剧灯塔的国家广播剧院,并深入探讨了在康斯坦茨开展的独立广播项目 "Legendele Dobrogei",我参与了该项目,在二十部广播剧中扮演了二十个角色。文章的最后一部分提请读者注意演员在整个广播剧故事中的作用,这个故事充满了隐喻,当你用心灵的眼睛去观察它们时就会发现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The stage of the radio theater - new metaphorical space
This research is motivated by theoretical as well as practical, personal examples, explaining why I believe the realm of radio theatre is metaphorical and original. The first part of the article explores three elements of acting technique are presented: Imagination, Voice and Tempo-rhythm. These are inevitably found in radio theatre, showcasing the enduring relevance of the Stanislavski method, which can be a demonstration of the universality over time of the way in which the Russian theoretician thought about the theater. Subsequently, the paper discusses the National Radiophonic Theatre as a beacon of top-quality theatre and delves into the independent radio project Legendele Dobrogei, conducted in Constanța, in which I participated, portraying twenty roles across twenty radio productions. The final section of the article, brings to the attention of the readers what is the role of the actor in the whole story of the radio theater, a story full of metaphors that appear when you look at them with the mind's eye.
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