{"title":"当爱神驱动艺术研究","authors":"Sara Gómez","doi":"10.54916/rae.142531","DOIUrl":null,"url":null,"abstract":"The purpose of this text is to relate artistic research to the search for knowledge driven by Eros. It is necessary to focus on one way of researching -in the arts- to see if its objectives and its epistemological contributions are beyond the requirements of producing proven knowledge. The artistic process that is driven by amorousness could take its epistemological nuclei -the intuitions that are expressed on every artwork- and develop them conceptually on the surface itself of the work of art, resulting in a place that reunites intuitions and concepts to resume the integration of knowledge. ","PeriodicalId":101879,"journal":{"name":"Research in Arts and Education","volume":"100 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"When Eros Drives Artistic Research\",\"authors\":\"Sara Gómez\",\"doi\":\"10.54916/rae.142531\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this text is to relate artistic research to the search for knowledge driven by Eros. It is necessary to focus on one way of researching -in the arts- to see if its objectives and its epistemological contributions are beyond the requirements of producing proven knowledge. The artistic process that is driven by amorousness could take its epistemological nuclei -the intuitions that are expressed on every artwork- and develop them conceptually on the surface itself of the work of art, resulting in a place that reunites intuitions and concepts to resume the integration of knowledge. \",\"PeriodicalId\":101879,\"journal\":{\"name\":\"Research in Arts and Education\",\"volume\":\"100 3\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research in Arts and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54916/rae.142531\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in Arts and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54916/rae.142531","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The purpose of this text is to relate artistic research to the search for knowledge driven by Eros. It is necessary to focus on one way of researching -in the arts- to see if its objectives and its epistemological contributions are beyond the requirements of producing proven knowledge. The artistic process that is driven by amorousness could take its epistemological nuclei -the intuitions that are expressed on every artwork- and develop them conceptually on the surface itself of the work of art, resulting in a place that reunites intuitions and concepts to resume the integration of knowledge.
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