导演在《图拉电影》中指导演员的沟通方式

Joni Arman, Sofia Aunul, Reza Gusmanti, Ika Karisma
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引用次数: 0

摘要

在根据电影剧本和故事情节指导演员的过程中,导演的沟通方式是一个重要因素。本文旨在描述导演在前期制作和制作阶段的沟通方式。本文采用描述性定性方法,通过对导演和《图拉》剧组人员进行访谈来收集数据。研究结果发现,《图拉》的导演 Wicaksono Wisnu Legowo 使用的沟通风格是动态的,这意味着在电影制作的每个阶段,导演都会使用不同的风格。在前期制作阶段,导演在与演员的准备环节中使用互惠沟通方式,在排练环节中使用自由沟通方式,而在制作阶段的场景布置环节和指导演员时,导演在拍摄前的准备环节中使用结构化沟通方式和动态沟通方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gaya Komunikasi Sutradara dalam Mengarahkan Pemain dalam Film Turah
The director's communication style is an important element in the process of directing players according to the script and storyline of a film. This paper aims to describe the director's communication style in the pre-production and production stages. This paper uses a descriptive qualitative approach with data collection techniques by interviewing the director and Turah's cast. The results of the study found that the director of the Turah film, Wicaksono Wisnu Legowo, used a communication style that dynamic which means that at each stage of film production, the director uses a different style. In the pre-production stage the director uses a reciprocal communication style in the preparatory sessions with the actors and a freelance communication style in the rehearsal sessions while in the production stage of the mise en scene sessions and directing the actors, the director uses a structured communication style and a dynamic communication style in the pre-take preparation sessions.
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