{"title":"灭绝博物馆","authors":"Natalie Field","doi":"10.54916/rae.142530","DOIUrl":null,"url":null,"abstract":"This artistic research project combines an exploration of natural history conservation at the Norwegian University of Science and Technology and museology at Museene i Sør-Trøndelag. The exposition is structured around Field Notes: qualitative records of my observations. Taking an ethnographic and interpretive phenomenological approach, I argue my hypothesis through the subjective experiences of the living, as well as the living dead. Drawing a correlation between the utilitarian subjugation of the animal-other and loss of biodiversity, I posit that the re-presentation of animal materialities in art and artefacts has the potential to re-form culture in the time of the sixth extinction.","PeriodicalId":101879,"journal":{"name":"Research in Arts and Education","volume":"106 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Museum of Extinction\",\"authors\":\"Natalie Field\",\"doi\":\"10.54916/rae.142530\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This artistic research project combines an exploration of natural history conservation at the Norwegian University of Science and Technology and museology at Museene i Sør-Trøndelag. The exposition is structured around Field Notes: qualitative records of my observations. Taking an ethnographic and interpretive phenomenological approach, I argue my hypothesis through the subjective experiences of the living, as well as the living dead. Drawing a correlation between the utilitarian subjugation of the animal-other and loss of biodiversity, I posit that the re-presentation of animal materialities in art and artefacts has the potential to re-form culture in the time of the sixth extinction.\",\"PeriodicalId\":101879,\"journal\":{\"name\":\"Research in Arts and Education\",\"volume\":\"106 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research in Arts and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54916/rae.142530\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in Arts and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54916/rae.142530","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一艺术研究项目结合了挪威科技大学(University of Science and Technology)对自然历史保护的探索和索恩德拉格博物馆(Museene i Sør-Trøndelag)的博物馆学研究。展览围绕 "现场笔记"(Field Notes)展开:这是我的定性观察记录。我采用人种学和解释现象学的方法,通过活人和活死人的主观体验来论证我的假设。我认为,在第六次生物大灭绝之际,在艺术和手工艺品中重新呈现动物的物质性有可能重新形成文化。
This artistic research project combines an exploration of natural history conservation at the Norwegian University of Science and Technology and museology at Museene i Sør-Trøndelag. The exposition is structured around Field Notes: qualitative records of my observations. Taking an ethnographic and interpretive phenomenological approach, I argue my hypothesis through the subjective experiences of the living, as well as the living dead. Drawing a correlation between the utilitarian subjugation of the animal-other and loss of biodiversity, I posit that the re-presentation of animal materialities in art and artefacts has the potential to re-form culture in the time of the sixth extinction.