通过版权保护电视格式--机遇与困境

Oditor Pub Date : 2024-05-03 DOI:10.59864/oditor12407nj
Milica Njegovan, Iva Šiđanin
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引用次数: 0

摘要

电视形式代表着流行的媒体内容,吸引着世界各地的大量观众。然而,对其法律监管却不够。法律理论和司法实践中的基本难题是电视格式版权保护的可能性。本文旨在通过分析国内外司法实践以及现有文献,尝试确定电视格式作为作者作品受法律保护的可能性。尽管有些法院认为电视格式可以作为一个整体受到保护,包括其技术要素,但这更多的是例外而非规则。大多数情况下,有争议的问题归结于被复制的元素,涉及电视格式的基本思想或概念。不过,国际上有一种趋势,即越来越多地承认对电视格式的版权保护,但必须在一定条件下。因此,格式的稀有性、独创性和可重复的类型化结构,以及立法对作者作品的定义方式,都是影响电视格式是否作为作者作品得到承认和保护的一些因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TV FORMAT PROTECTION THROUGH COPYRIGHT - OPPORTUNITIES AND DILEMMA
TV formats represent popular media content, which attracts a large number of viewers around the world. However, their legal is not regulated enough. The basic dilemma in legal theory and judicial practice is the possibility of copyright protection of TV formats. The aim of this paper is to try to determine the possibility of legal protection of the TV format as an author's work by analyzing domestic and foreign judicial practice, as well as the existing literature. Although some courts have held that a TV format can be protected as a whole, including its technical elements, this is more the exception than the rule. Most of the time, the disputed question comes down to the elements that have been copied, and concerns the basic idea or concept of the TV format. Nevertheless, there is a tendency on the international level towards more and more frequent recognition of copyright protection of TV formats, but under certain conditions. Thus, rarefaction, originality and typed structure of the format that can be repeated, as well as the way of defining the author's work in legislation are some of the elements that influence whether the TV format will be recognized and protected as an author's work.
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