{"title":"重新构想克赖斯家族的收藏","authors":"Ulrike Felsing, Murielle Cornut","doi":"10.54916/rae.142567","DOIUrl":null,"url":null,"abstract":"Drawing on the idea of family photography as objects of knowledge and the theory of sensory in the communicative power of photographs, this article explores how the Kreis Family Collection (1850–1980) can be presented visually and acoustically on an archival platform and how it generates new knowledge in this process. Our central result is a virtual image-sound installation that allows the same photographs to be re-imagined in three contrasting acoustic ‘moods’, based on the argument that family photography’s ‘show and tell’ is an open-ended performance, in which the user of an archival platform is asked to participate.","PeriodicalId":101879,"journal":{"name":"Research in Arts and Education","volume":"139 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Re-Imagining the Collection of the Kreis Family\",\"authors\":\"Ulrike Felsing, Murielle Cornut\",\"doi\":\"10.54916/rae.142567\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Drawing on the idea of family photography as objects of knowledge and the theory of sensory in the communicative power of photographs, this article explores how the Kreis Family Collection (1850–1980) can be presented visually and acoustically on an archival platform and how it generates new knowledge in this process. Our central result is a virtual image-sound installation that allows the same photographs to be re-imagined in three contrasting acoustic ‘moods’, based on the argument that family photography’s ‘show and tell’ is an open-ended performance, in which the user of an archival platform is asked to participate.\",\"PeriodicalId\":101879,\"journal\":{\"name\":\"Research in Arts and Education\",\"volume\":\"139 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research in Arts and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54916/rae.142567\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in Arts and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54916/rae.142567","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文借鉴了家庭摄影作为知识对象的理念和照片传播力中的感官理论，探讨了如何在档案平台上以视觉和听觉的方式展示 Kreis 家庭收藏（1850-1980 年），以及在此过程中如何产生新的知识。我们的核心成果是一个虚拟图像-声音装置，它允许在三种对比鲜明的声音 "氛围 "中重新想象相同的照片，其论据是家庭摄影的 "展示和讲述 "是一种开放式的表演，档案平台的用户被要求参与其中。
Drawing on the idea of family photography as objects of knowledge and the theory of sensory in the communicative power of photographs, this article explores how the Kreis Family Collection (1850–1980) can be presented visually and acoustically on an archival platform and how it generates new knowledge in this process. Our central result is a virtual image-sound installation that allows the same photographs to be re-imagined in three contrasting acoustic ‘moods’, based on the argument that family photography’s ‘show and tell’ is an open-ended performance, in which the user of an archival platform is asked to participate.
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