{"title":"民族身份与文化痕迹:百年电影史中的白玛才旦","authors":"Haizhou Wang, Wenjun Yan","doi":"10.1515/jcfs-2024-0020","DOIUrl":null,"url":null,"abstract":"\n As a Tibetan indie filmmaker, Pema Tseden is endowed with an ethnic advantage. In his films, he focuses on the real-life conditions of Tibetans. Observing ethnic groups through the personal perspective of the individual, he profoundly contemplates the condition of Tibetan culture in the modernized world while reflecting on China through the geographical perspective of borderland. In terms of form, Pema Tseden’s films represent the unique features of Chinese film aesthetics and poetics by adopting special Tibetan images and the implicit narrative structure of blank space.","PeriodicalId":342453,"journal":{"name":"Journal of Chinese Film Studies","volume":"30 17","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ethnic Identity and Traces of Culture: Pema Tseden in a Centenary History of Films\",\"authors\":\"Haizhou Wang, Wenjun Yan\",\"doi\":\"10.1515/jcfs-2024-0020\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n As a Tibetan indie filmmaker, Pema Tseden is endowed with an ethnic advantage. In his films, he focuses on the real-life conditions of Tibetans. Observing ethnic groups through the personal perspective of the individual, he profoundly contemplates the condition of Tibetan culture in the modernized world while reflecting on China through the geographical perspective of borderland. In terms of form, Pema Tseden’s films represent the unique features of Chinese film aesthetics and poetics by adopting special Tibetan images and the implicit narrative structure of blank space.\",\"PeriodicalId\":342453,\"journal\":{\"name\":\"Journal of Chinese Film Studies\",\"volume\":\"30 17\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Film Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/jcfs-2024-0020\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jcfs-2024-0020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Ethnic Identity and Traces of Culture: Pema Tseden in a Centenary History of Films
As a Tibetan indie filmmaker, Pema Tseden is endowed with an ethnic advantage. In his films, he focuses on the real-life conditions of Tibetans. Observing ethnic groups through the personal perspective of the individual, he profoundly contemplates the condition of Tibetan culture in the modernized world while reflecting on China through the geographical perspective of borderland. In terms of form, Pema Tseden’s films represent the unique features of Chinese film aesthetics and poetics by adopting special Tibetan images and the implicit narrative structure of blank space.