一次回归、一面镜子、一张照片":一个希族塞浦路斯难民家庭的回归之旅、物质文化和代际传承

Genealogy Pub Date : 2024-05-10 DOI:10.3390/genealogy8020057
Christakis Peristianis
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引用次数: 0

摘要

战争期间,流离失所的家庭携带各种物质物品,这些物品后来成为保存失去家园的记忆和保持身份认同感的手段。在分裂的塞浦路斯,1974 年土耳其入侵前和入侵期间流离失所的人们对物质物品的使用受到了 2003 年双方开放检查站的影响。本文探讨了我家几代人在返程途中重新发现一件遗失物品--手工制作的镜子--时是如何反应和解释的。本文讨论了我的母亲是如何找到这件物品、为其拍照并将其照片存入家族摄影档案的。在本文所依据的研究项目中,这两件物品通过我母亲讲述她的回国经历再次出现,将该项目转化为一种代际传承的形式。本文描绘了我和我母亲如何在不同的记忆政治影响下,对镜片及其照片进行不同的诠释。本文还展示了难民家庭在保持对失去家园的记忆方面的机智,这同时也揭示了他们对岛屿政治未来的看法和希望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘A Return, a Mirror, a Photograph’: Return Journeys, Material Culture and Intergenerational Transmission in a Greek Cypriot Refugee Family
During times of war, displaced families carry various material items that later serve as means for preserving the memories of lost homes and maintaining a sense of identity. In divided Cyprus, the use of material objects by people displaced before and during the 1974 Turkish invasion has been influenced by the opening of checkpoints between the two sides in 2003. This paper explores how different generations in my family reacted to and interpreted the rediscovery of a lost material item—a handmade mirror piece—during the return journey. It discusses how my mother located the item, photographed it, and placed its photograph in the family’s photographic archive. During the research project upon which this paper follows from, both items re-emerged through my mother’s storytelling about her experience of return, transforming the project into a form of intergenerational transmission. The paper portrays how the storytelling about the mirror piece and its photograph was interpreted differently by me and my mother, influenced by the different politics of memory. The paper also showcases the resourcefulness of refugee families in maintaining the memory of their lost homes, which simultaneously reveals their views and hopes regarding the political future of the island.
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