形成三维思维是建筑师的重要专业素质之一

M. Zvyagintseva, M. E. Kuznetsov, A. A. Gladskikh
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引用次数: 0

摘要

文章探讨了建筑师的专业培养问题,以及在学习艺术周期学科的过程中发展其三维思维的问题。建筑师的构想必须符合视觉活动的特殊性、形象素养的规律和特定工作阶段的任务所提出的严格要求,并与创作活动的最终理想和目的相关联。在研究作为艺术表现手段的光时,必须重视自然界和图像中的光感心理学。只有具备了发达的三维思维,学生才能令人信服地准确表达三维形状的特征、可塑性和运动性。通过对光影层次的准确评估、将现实中的色彩现象充分转移到视觉领域的可能性、以及对光影描绘的形式进行熟练的造型,识别三维形式,包括基于三维图像视觉的自然物体,成为建筑师培训的重点。感知的完整性、对细节的关注、对空间的研究、对形式的理解、对塑造手段的掌握以及三维物体在二维格式中的形象,这些都已成为我们谈论未来建筑师高质量培养的普遍标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Formation of Three-Dimensional Thinking as one of the Significant Professional Qualities of an Architect
The article touches upon the problems of the professional formation of an architect, the development of his three-dimensional thinking in the process of studying the disciplines of the artistic cycle. The architect's vision must meet the strict requirements imposed by the specifics of visual activity, the laws of figurative literacy and the tasks of a particular stage of work, correlate with the ultimate ideals and purpose of creative activity. In the study of light as a means of artistic expression, an important role must be given to the psychology of the perception of light in nature and in the image. Only having a developed three-dimensional thinking a student can convincingly and accurately convey the character of a three-dimensional shape, its plasticity and movement.The recognition of three-dimensional forms, including natural objects based on three-dimensional vision of images, through an accurate assessment of light and shadow gradations, adequate transfer of color phenomena of reality to the possibilities of the visual sphere and skillful modeling of forms depicted by light and shadow, becomes an emphasis in the training of an architect. The position of color in the image of shapes in space is no less significant.Pedagogical techniques for the formation of three-dimensional thinking of students and the development of their graphic skills in drawing three-dimensional objects, including architectural ones, are based on scientific discoveries of scientists, scientists and artists since the Renaissance.The integrity of perception, attention to detail, the study of space, understanding of form, possession of means of shaping and the image of a three-dimensional object in a two-dimensional format are becoming universal criteria that allow us to talk about the high-quality training of future architects.
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