保罗-科埃略《十一分钟》中玛利亚与男性角色之间的权力关系

Ahmad Imbron
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引用次数: 0

摘要

本研究旨在发现保罗-科埃略的小说《十一分钟》中的权力关系。研究者重点分析了小说中玛丽亚与男性角色之间的权力关系形式,以及她对权力关系的反抗。本研究采用了米歇尔-福柯(Michel Foucault)提出的权力关系理论。这类研究被归类为具有社会学方法的文学批评。本研究在收集数据时使用了文献技术,通过阅读并突出显示句子、对话和引文。此外,还通过分类、解释、分析和得出结论来分析数据。研究结果表明,玛丽亚与小说中的男性角色之间存在权力关系。这些男性角色分别是作为伴侣的男友和马尔福森、作为雇主的窗帘店老板罗杰和米兰、作为客户的阿拉伯男子特伦斯和拉尔夫-哈特。从玛丽亚与男性角色之间的权力关系形式来看,玛丽亚通过威胁和利用自己的美貌,对男性角色拥有了权力。反之,玛丽亚在男性的权力面前往往也是无能为力的一方,如被控制、被欺骗等。玛丽亚进行的反抗是通过话语和不服从进行的反抗。通过话语进行的反抗是为她的一位雇主所犯的剥削行为传唤律师。与此同时,玛丽亚拒绝了皮条客的命令,离开了科帕卡巴纳酒吧的妓女岗位,从而进行了反抗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Power Relations Between Maria and Male Characters Represented in Paulo Coelho’s Eleven Minutes
This study aims to find power relations in the novel Eleven Minutes by Paulo Coelho. The researcher focuses on analyzing the forms of power relations between Maria and the male characters in the novel and her resistance against them. This study applies the power relations theory initiated by Michel Foucault. This type of research is classified as literary criticism with a sociological approach. Data collection in this study used documentation techniques by reading and highlighting sentences, dialogues, and quotations. Furthermore, analyzing the data is carried out by classifying, interpreting, analysing, and drawing conclusion. The result of this study indicates that Maria has power relations with the male characters in the novel. The male characters are the boyfriend and Malfson as the partners, the owner of a draper shop, Roger and Milan as the employers, the Arab man, Terence, and Ralf Hart as the clients. The forms of the power relations between Maria and the male character show that Maria has power over the male character by threatening and utilizing her beauty. Conversely, Mary is also often placed as a powerless party over the power exercised by men, such as being controlled and deceived. The resistance carried out by Maria was the resistance through discourse and disobedience. The resistance through the discourse was the summoning of a lawyer for an exploitative act committed by one of her employers. Meanwhile, the resistance through disobedience was carried out by refusing the pimp's orders by leaving from working as a prostitute in the Copacabana bar.
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