早期基督教中的家庭性虐待:《约翰行传》中暴力与欲望的混淆

IF 0.2 4区 历史学 0 CLASSICS
Kylie Crabbe
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引用次数: 0

摘要

要么我娶你为妻,就像我以前娶你一样,要么你就得死!'。在公元二世纪的《约翰福音》中,安德罗尼克斯将拒绝与他发生性关系的德鲁西安娜锁在坟墓中,并对她大喊大叫。德鲁西安娜的家庭环境包含了一个嵌套的暴力故事。她丈夫的虐待行为与竞争对手卡里马科斯的虐待行为相似,而卡里马科斯也将安德罗尼克斯的管家卷入了他的暴力计划中。本文简要概述了该段落,并将其与其他希腊小说的体裁和喜剧手法进行了比较,然后通过这三个男性角色和德鲁西安娜的肖像分析了家庭环境中的暴力。文章认为,交叉动态支持了该文本对精英男性角色的改造和对 "不可改变 "的管家的谴责,这对理解古代更广泛的婚姻和性虐待态度也有影响。与《约翰福音》中其他地方对性欲和暴力的描写一致,该书认为,文本将暴力和性欲混为一谈,是为了倡导独身主义,而独身主义在有关本段落中一位有名有姓的女性人物德鲁西安娜的混合信息中被理想化了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Domestic sexual abuse in early Christianity: conflations of violence and desire in the Acts of John
‘Either I’ll have you as a wife, as I had you before, or you must die!’ So Andronicus yells at Drusiana, having locked her in a tomb for refusing to have sex with him, in the second-century Acts of John. Drusiana’s domestic setting houses a nested story of violence. Her husband’s abuse parallels that of a rival assailant, Callimachus, who in turn also involves Andronicus’ steward in his violent planning. After a brief overview of the passage, and consideration of its genre alongside other Greek novels and its use of comedy, this paper analyzes the domestic setting’s violence through the portraits of these three male characters and Drusiana. The article suggests that intersectional dynamics support the text’s rehabilitation of the elite male characters and denunciation of the ‘unchangeable’ steward, with implications also for understanding broader attitudes about marriage and sexual abuse in antiquity. In keeping with other portraits of sexual desire and violence elsewhere in the Acts of John, it argues that the text conflates violence and desire in the interest of championing celibacy, which is idealized in a mixed message about the one named female character in this passage, Drusiana.
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