Boxed In:大流行病电视作为女权主义者对家庭态度的跨部门重新谈判

IF 2.4 2区 文学 Q1 COMMUNICATION
Yael Levy
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引用次数: 0

摘要

在大流行病电视中,家庭的恐怖不仅是一些描述大流行病相关情节的节目叙事的一部分,也是文本和语境之间紧张关系的结果。当人们感到被困在室内时,即使是电视上最丰富多彩的客厅也成为无法离开家庭空间限制的象征。在本文中,我将展示大流行病电视如何直接通过叙事手段或间接通过文本与意义的不协调,为家庭的表现增添了一层不祥的色彩。将女性主义对家庭空间的分析交叉化,我认为,试图回避与大流行病相关内容的文本往往通过格式和框架更加强调了这一点,从而否定了它们试图实现的逃避现实的效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Boxed In: Pandemic TV as Intersectional Renegotiation of Feminist Attitudes Toward the Home
In pandemic TV, the horror of the home was not only part of the narrative in several shows that depicted pandemic-related plots, but also a result of the tension between the textual and the contextual. As people were feeling trapped indoors, even the most colorful televised living room stood as a symbol of the inability to leave the spatial confines of domesticity. In this paper, I show how pandemic television added an ominous layer to the representation of the home, either directly through narrative means or indirectly through text-versus-meaning dissonance. Intersectionalizing feminist analysis of the domestic space, I argue that texts that attempted to sidestep pandemic-related content often emphasized it even more so, through format and framing, therefore negating the escapism they were trying to achieve.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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