贡献者

Callaloo Pub Date : 2024-05-14 DOI:10.1353/cal.2018.a927549
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She is a Logan Nonfiction Fellow and a Catapult Film Fund Research Fellow. She lives and works in Brooklyn.</p> <p>Robert Fernandez is the author of <em>Scarecrow</em> (Wesleyan University Press, 2016), as well as <em>Pink Reef</em> (2013) and <em>We Are Pharaoh</em> (2011), both published by Canarium Books. He is also co-translator of <em>Azure</em> (Wesleyan University Press, 2015), a translation of the work of Stéphane Mallarmé.</p> <p>Marame Gueye is associate professor of African and African Diaspora Literatures at East Carolina University. Her work is on the verbal art of women, the intersections of gender and language, hip-hop and social change, and migration. Her creative work has appeared in <em>Transition Magazine</em> and <em>Bellingham Review</em>.</p> <p>Keith Hood is a former janitor and window cleaner living in Ann Arbor, Michigan. He retired from a job as a field technician for a Michigan electric utility after 32 years avoiding electrocution. He is the <em>One Story</em> magazine 2024 Adina Talve-Goodman Fellow. His work has appeared in <em>Blue Mesa Review</em>, <em>Flash Fiction Magazine</em>, <em>Your Impossible Voice</em>, <em>The Forge Literary Journal</em>, <em>Vestal Review</em>, and more.</p> <p>Megan Howell is a Washington, D.C.-based freelance writer. She earned her MFA in fiction from the University of Maryland in College Park, winning both the Jack Salamanca Thesis Award and the Kwiatek Fellowship. Her work has appeared in <em>McSweeney’s</em>, <em>The Nashville Review</em>, and <em>The Establishment</em>, among other publications.</p> <p>Yesmina Khedhir is a senior Ph.D. candidate in American Studies at the Doctoral School of Literary and Cultural Studies, the University of Debrecen (Hungary), and a former Fulbright scholar (FLTA) at Stanford University. Her research project focuses on studying the multiple aspects of cultural memory and trauma in Jesmyn Ward’s Bois Sauvage novels. 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She is currently working on her first novel and a short story collection.</p> <p>Shy-Zahir Moses (they/them) is a poet and scholar from Dallas, Texas, pursuing an MFA in poetry at The University of Texas at Austin’s New Writers Project. Their work meditates on the intricate relationship and tension between queerness, Black Southern spirituality/religion, and reckoning with god/God/The Ancestors.</p> <p>Nicole Ramsey is an assistant professor of Latina/o Studies and Women’s and Gender Studies at the University of Texas at Austin. Her research examines formations of Blackness, identity, and nation in Latin America and the Caribbean through an interdisciplinary and Black diaspora lens. She is currently writing a book on the racial politics, negotiations, and performance(s) of Belizean national identity.</p> <p>Daniel B. Summerhill is a poet and essayist who has earned fellowships from Baldwin for the Arts and The Watering Hole. He is the inaugural Poet Laureate of Monterey County and has published two collections of poems, Divine, Divine, Divine and Mausoleum of Flowers. His poems and essays appear in <em>The Academy of American Poets</em>, <em>Indiana Review</em>, <em>Columbia Journal</em>, <em>Obsidian</em>, <em>Inkwell</em>, <em>The Wall Street...</em></p> </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contributors\",\"authors\":\"\",\"doi\":\"10.1353/cal.2018.a927549\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p>Julian Breandán Dean is assistant professor of English at York College/CUNY. His research is interested in tragedy as a form and how it is deployed in the postcolonial setting with special attention to Irish, Caribbean, and global Anglophone drama.</p> <p>Adaeze Elechi is a Nigerian writer and filmmaker. Her fiction, poetry, and essays have been published in her chapbook <em>Harmattan</em> (Bottlecap Press, 2019), and are forthcoming in the Black feminist anthology <em>In Words of Our Own: Black Women &amp; Being</em> (Canadian Scholars &amp; Women’s Press, 2025). Her poems have been performed at literary festivals, including the New York City Poetry Festival. She is a Logan Nonfiction Fellow and a Catapult Film Fund Research Fellow. She lives and works in Brooklyn.</p> <p>Robert Fernandez is the author of <em>Scarecrow</em> (Wesleyan University Press, 2016), as well as <em>Pink Reef</em> (2013) and <em>We Are Pharaoh</em> (2011), both published by Canarium Books. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 撰稿人 Julian Breandán Dean 是纽约市立约克学院英语系助理教授。他的研究兴趣是悲剧这种形式,以及如何在后殖民环境中加以运用,尤其关注爱尔兰、加勒比海和全球英语戏剧。Adaeze Elechi 是尼日利亚作家和电影制片人。她的小说、诗歌和散文已在她的小册子《Harmattan》(Bottlecap Press,2019 年)中发表,并即将收入黑人女权主义选集《In Words of Our Own: Black Women & Being》(Canadian Scholars & Women's Press,2025 年)。她的诗歌曾在包括纽约诗歌节在内的文学节上表演。她是洛根非虚构研究员和 Catapult 电影基金研究员。她在布鲁克林生活和工作。罗伯特-费尔南德斯(Robert Fernandez)著有《稻草人》(卫斯理安大学出版社,2016 年),以及《粉红暗礁》(Pink Reef,2013 年)和《我们是法老》(We Are Pharaoh,2011 年),均由 Canarium Books 出版。他还是《蔚蓝》(卫斯理安大学出版社,2015 年)的合译者,该书翻译了斯特凡-马拉美的作品。Marame Gueye 是东卡罗莱纳大学非洲和非洲散居地文学副教授。她的研究领域包括女性的语言艺术、性别与语言的交叉、嘻哈与社会变革以及移民。她的创作曾刊登在《过渡杂志》和《贝林厄姆评论》上。基思-胡德(Keith Hood)曾是一名清洁工,现居住在密歇根州安阿伯市。他在密歇根州一家电力公司担任现场技术员,在避免触电事故发生 32 年后退休。他是《一个故事》杂志 2024 年度阿迪娜-塔尔韦-古德曼研究员。他的作品曾发表于《蓝色梅萨评论》(Blue Mesa Review)、《闪小说杂志》(Flash Fiction Magazine)、《你不可能的声音》(Your Impossible Voice)、《锻造文学期刊》(The Forge Literary Journal)、《维斯塔评论》(Vestal Review)等刊物。梅根-豪威尔(Megan Howell)是华盛顿特区的自由撰稿人。她获得了马里兰大学学院帕克分校的小说硕士学位,并赢得了杰克-萨拉曼卡论文奖和克维特克奖学金。她的作品曾发表在《McSweeney's》、《The Nashville Review》和《The Establishment》等刊物上。Yesmina Khedhir 是匈牙利德布勒森大学文学与文化研究博士学院美国研究专业的资深博士生,曾是斯坦福大学富布赖特学者(FLTA)。她的研究项目侧重于研究杰斯敏-沃德的 Bois Sauvage 小说中文化记忆和创伤的多个方面。耶斯米娜已在与其研究领域相关的国际学术期刊上发表了多篇书籍章节和文章。她最近发表的文章"'明天,我想,一切都将被洗净':杰斯敏-沃德(Jesmyn Ward)的飓风后小说《打捞骨头》中的水之意象 "发表在论文集《非裔美国文学、电影和音乐中的水体》(剑桥学者出版社,2023 年)中。Amanie Mathurin 是一位圣卢西亚作家和诗人,她讲述加勒比人的故事、他们的历史、文化以及塑造他们经历的现实。她的作品探讨了该地区的核心问题,包括移民、心理健康、性暴力、政治和发展。阿曼妮的写作还关注流离失所、文化身份、人格和人类欲望等主题。她目前正在创作自己的第一部长篇小说和短篇小说集。Shy-Zahir Moses(他们/她们)是一位来自德克萨斯州达拉斯的诗人和学者,正在德克萨斯大学奥斯汀分校的新作家项目攻读诗歌硕士学位。他们的作品沉思于同性恋、南方黑人精神信仰/宗教以及对神/上帝/祖先的反思之间错综复杂的关系和张力。妮可-拉姆齐(Nicole Ramsey)是德克萨斯大学奥斯汀分校拉丁/裔研究和妇女与性别研究助理教授。她的研究通过跨学科和黑人散居地的视角,审视拉丁美洲和加勒比地区黑人的形成、身份和国家。她目前正在撰写一本关于伯利兹民族身份的种族政治、谈判和表现的书。Daniel B. Summerhill 是一位诗人和散文家,曾获得 Baldwin for the Arts 和 The Watering Hole 奖学金。他是蒙特雷县首届桂冠诗人,已出版两部诗集《神圣、神圣、神圣》和《花之陵》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contributors
In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Julian Breandán Dean is assistant professor of English at York College/CUNY. His research is interested in tragedy as a form and how it is deployed in the postcolonial setting with special attention to Irish, Caribbean, and global Anglophone drama.

Adaeze Elechi is a Nigerian writer and filmmaker. Her fiction, poetry, and essays have been published in her chapbook Harmattan (Bottlecap Press, 2019), and are forthcoming in the Black feminist anthology In Words of Our Own: Black Women & Being (Canadian Scholars & Women’s Press, 2025). Her poems have been performed at literary festivals, including the New York City Poetry Festival. She is a Logan Nonfiction Fellow and a Catapult Film Fund Research Fellow. She lives and works in Brooklyn.

Robert Fernandez is the author of Scarecrow (Wesleyan University Press, 2016), as well as Pink Reef (2013) and We Are Pharaoh (2011), both published by Canarium Books. He is also co-translator of Azure (Wesleyan University Press, 2015), a translation of the work of Stéphane Mallarmé.

Marame Gueye is associate professor of African and African Diaspora Literatures at East Carolina University. Her work is on the verbal art of women, the intersections of gender and language, hip-hop and social change, and migration. Her creative work has appeared in Transition Magazine and Bellingham Review.

Keith Hood is a former janitor and window cleaner living in Ann Arbor, Michigan. He retired from a job as a field technician for a Michigan electric utility after 32 years avoiding electrocution. He is the One Story magazine 2024 Adina Talve-Goodman Fellow. His work has appeared in Blue Mesa Review, Flash Fiction Magazine, Your Impossible Voice, The Forge Literary Journal, Vestal Review, and more.

Megan Howell is a Washington, D.C.-based freelance writer. She earned her MFA in fiction from the University of Maryland in College Park, winning both the Jack Salamanca Thesis Award and the Kwiatek Fellowship. Her work has appeared in McSweeney’s, The Nashville Review, and The Establishment, among other publications.

Yesmina Khedhir is a senior Ph.D. candidate in American Studies at the Doctoral School of Literary and Cultural Studies, the University of Debrecen (Hungary), and a former Fulbright scholar (FLTA) at Stanford University. Her research project focuses on studying the multiple aspects of cultural memory and trauma in Jesmyn Ward’s Bois Sauvage novels. Yesmina has published several book chapters and articles in international academic journals related to her field of research. Her most recent article, “‘Tomorrow, I think, everything will be washed clean’: Water Imagery in Jesmyn Ward’s Post-Katrina Novel, Salvage the Bones,” is published in a collection of essays entitled Bodies of Water in African American Literature, Film, and Music (Cambridge Scholars Publishing, 2023).

Amanie Mathurin is a Saint Lucian writer and poet who tells stories about Caribbean people, their history, culture, and the realities that shape their experiences. Her work explores issues central to the region, including migration, mental health, sexual violence, politics, and development. Amanie’s writing also focuses on themes of displacement, cultural identity, personhood, and human desire. She is currently working on her first novel and a short story collection.

Shy-Zahir Moses (they/them) is a poet and scholar from Dallas, Texas, pursuing an MFA in poetry at The University of Texas at Austin’s New Writers Project. Their work meditates on the intricate relationship and tension between queerness, Black Southern spirituality/religion, and reckoning with god/God/The Ancestors.

Nicole Ramsey is an assistant professor of Latina/o Studies and Women’s and Gender Studies at the University of Texas at Austin. Her research examines formations of Blackness, identity, and nation in Latin America and the Caribbean through an interdisciplinary and Black diaspora lens. She is currently writing a book on the racial politics, negotiations, and performance(s) of Belizean national identity.

Daniel B. Summerhill is a poet and essayist who has earned fellowships from Baldwin for the Arts and The Watering Hole. He is the inaugural Poet Laureate of Monterey County and has published two collections of poems, Divine, Divine, Divine and Mausoleum of Flowers. His poems and essays appear in The Academy of American Poets, Indiana Review, Columbia Journal, Obsidian, Inkwell, The Wall Street...

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