阿纳佩斯特与悲剧情节

IF 0.2 3区历史学 N/A CLASSICS

ARETHUSA Pub Date : 2024-04-25 DOI:10.1353/are.2024.a925537

Timothy J. Moore

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引用次数: 0

摘要

摘要:拟声词总是由相同长度的元素（一个长音节或两个短音节）组成，既有利于表达稳步向前的运动，也有利于表达推动情节走向结局的隐喻运动。埃斯库罗斯、索福克勒斯和欧里庇得斯多次利用 "anapests "与稳定运动之间的联系来强调情节的推动力。他们在戏剧的早期通过不寻常或出人意料地使用拟声词来引起人们对这些推动力的注意，然后在之后的相关段落中重复使用拟声词。

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Anapests and the Tragic Plot

Abstract:

Anapests, consisting always of elements of the same length (one long or two short syllables), are conducive to expressing both steady forward motion and the metaphorical motion that drives a plot to its conclusion. Aeschylus, Sophocles, and Euripides repeatedly take advantage of this association between anapests and steady motion to underline the driving forces of their plots. They call attention to those driving forces through unusual or unexpected use of anapests early in a play, then repeat the anapests in related passages later.

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.