表演埃斯库罗斯的《波斯人

IF 0.2 3区历史学 0 CLASSICS

ARETHUSA Pub Date : 2024-04-25 DOI:10.1353/are.2024.a925538

Helene Foley

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引用次数: 0

摘要

摘要：埃斯库罗斯的《波斯人》中合唱颂歌的反问句对经常以对称的方式出现密切的语言和主题平行。这种 "颂歌结合 "可以更精确地推测剧中颂歌对之间可能存在的表演关系。该剧中重复出现的主题、声音、手势、图像和短语也有助于定义和表演波斯王室领袖与其合唱对象之间在整个剧作中不断变化的关系。

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Performing Aeschylus's Persians

Abstract:

The antistrophic pairs of the choral odes of Aeschylus’s Persians are frequently marked by close verbal and thematic parallels in a symmetrical fashion. This “strophic bonding” permits more precise speculation about the possible performative relation between strophic pairs in the choral odes of a play that culminates in the explicit display of parallel lamenting gestures in the concluding strophic pairs of the exodos. The repeated themes, sounds, gestures, images, and phrases in the play’s strophic pairs serve as well to define and perform the changing relation between Persian royal leaders and their choral subjects in the play as a whole.

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.