建构男性和女性特质:罗伯特-弗罗斯特 "家葬 "的社会建设性解读

Joseph Peter Yaw-kan, Jonas Naoh Xaxier Gambil, Daniel Yaw Akor, Mark Kpatiewiizi Donwaazum
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引用次数: 0

摘要

从社会学角度解读罗伯特-弗罗斯特的《家乡的葬礼》是一项艰巨的任务。鉴于这位美国诗人的这首诗自发表以来已引起了大量的文学批评讨论。尽管学术研究任务艰巨,但仍有必要指出其中对性别的细微表现及其所反映的构成表现。因此,本文将研究弗罗斯特《家葬》中的人物及其对男性和女性的表达。本文以莫伊尼汉(Moynihan,1998 年)提出的男性社会建构主义理论为框架。本文认为,弗罗斯特在评价两种性别类型如何接受和处理情感、悲伤、痛苦和恐惧时,更倾向于男性/男性性别,而不是女性/女性性别。从社会建构主义的角度来看,本文揭示了男性和女性在死亡等社会事件/情境中都有固定的标志物,这些标志物塑造了他们的人生观。本文进一步揭示了现实(现实主义)主题在 20 世纪诗歌中的关键作用,阐述了其社会背景和应用。本文是对弗罗斯特诗歌研究的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Constructing Masculine and Feminine Traits: A Social Constructive Reading of Robert Frost’s “Home Burial”
Reading Robert Frost’s “Home Burial” from a sociological perspective is a herculean task. Given that this poem by the American poet has received large volumes of critical literary conversation since its publication. Notwithstanding this daunting scholarly task, it is imperative to point out the nuanced representation of gender and the constitutive manifestations reflected thereof. This paper, therefore, examines Frost’s characters and their expression of masculinity and femininity in “Home Burial”. The paper is framed within the social constructivist theory of masculinities proposed by Moynihan (1998). The paper asserts that Frost favors the man/male gender over the woman/female gender in his assessment of how both gender types receive and process emotions, grief, pain, and fear. From the purview of the social constructivists, the paper reveals that there are fixed signifiers for males and females that shape their outlook during social events/contexts such as death. The paper further reveals that the theme of reality (realism) is crucial in 20th-century poetry, explicating its social context and application. The paper is a contribution to the research on Frostian poetry.
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