"P. I. 索科洛夫的《墨丘利与阿耳戈斯》:绘画美学、寻找艺术形象、同时代人的看法

E. G. Zhelnova
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引用次数: 0

摘要

本文旨在分析 P. I. 索科洛夫(1753-1791 年)的绘画作品《墨丘利与阿耳戈斯》(1776 年)的时代特征。研究目的:分析准备图纸和画面;研究档案资料、艺术家报告;揭示绘画过程;表现时代的审美理想和个性认知。我们将以 P. I. 索科洛夫的作品《水星与阿耳戈斯》为例,重点研究十八世纪下半叶历史画的艺术创作过程。研究课题是自然素描、素描构图在 P. I. Sokolov 作品《墨丘利与阿耳戈斯》中的作用。作者考虑了视觉技术、图形-塑料构图、预备图形、基于学术教育系统的图片创作过程。作者引用了 XVIII 世纪下半叶的信件、报告和著作,分析了所研究时期艺术的典型特征、艺术家为自己设定的任务、表现视觉形象和画面构思的必要条件以及同时代人对她的积极评价。在研究过程中采用了形式分析、形式风格分析和艺术评论分析。作者得出的结论是,十八世纪下半叶的历史画创作包含了帝国艺术学院学术教育体系所规定的大型系统创作过程。分析表明,素描和自然素描的实施成为随后寻找更好图像的基础。XVIII 世纪下半叶的历史绘画反映了那个时代的审美观点和理想,是旨在改善视觉形象的理论论文思想的艺术体现。研究的新颖之处在于不仅将绘画视为艺术遗产的一部分,而且将其视为十八世纪下半叶帝国艺术学院学术教育体系和古典主义教育美学的反映。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Mercury and Argus" by P. I. Sokolov: aesthetics of the painting, search for an artistic image, perception by contemporaries
Purpose of this article is analysis of painting by P. I. Sokolov (1753-1791) «Mercury and Argus» (1776) in context preferences of era. Objectives of study: analyze preparatory drawings and picture; study archival sources, artist reports; reveal process of painting; represent aesthetic ideals of epoch and perception of personality. Our focus will be on artistic process of creation historical picture in second half of XVIII century on example of work by P. I. Sokolov «Mercury and Argus». Research subject is role of sketches from nature, sketch composition in work of P. I. Sokolov on picture «Mercury and Argus». Author considers of visual technique, graphic-plastic composition, preparatory graphic, identifying process of working on picture based on academic education system. Citing quotes from letters, reports and writings of second half of XVIII century author analyses what was typical for art of period under study, what tasks artist set for himself, what conditions were necessary for expressiveness of visual image and idea of picture as well as her positive evaluation by her contemporaries. During study were applied: formal, formal-stylistic, art criticism analysis. Author comes to conclusion that work on historical painting in second half of XVIII century included a large systematic creative process dictated by academic education system at Imperial Academy of Arts. Analysis showed that execution of sketches and drawings from nature became basis for subsequent search for better image. Historical painting of second half of XVIII century reflected aesthetic views and ideals of era, being an artistic embodiment of ideas of theoretical treatises aimed at improving visual image. Novelty of research lies in considering painting not only as part of artistic heritage, but also as a reflection of academic education system at Imperial Academy of Arts in second half of XVIII century and aesthetics of educational classicism.
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