{"title":"毁容破产a","authors":"Robin Bale","doi":"10.1386/jwcp_00065_1","DOIUrl":null,"url":null,"abstract":"This article treats the temporality of writing as a place or event – which is to say somewhere which must be arrived at on time or otherwise. This arrival is vulnerable to the vicissitudes that all physical bodies/places can undergo: alteration in one’s absence, disappearance or loss. This contribution re-presents a piece of work that I produced about a place and then mislaid before it could be presented in the form that I hoped it would take. The place that it was a response to has also been lost. Both the writer of the place/event and their reader thus experience a form of belatedness. What made the place live in my mind so intensely was a series of texts scrawled on its wall, interspersed with images. I was late arriving for that. I address the reader as a latecomer in turn.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":"106 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Disfigment Bankrupsea\",\"authors\":\"Robin Bale\",\"doi\":\"10.1386/jwcp_00065_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article treats the temporality of writing as a place or event – which is to say somewhere which must be arrived at on time or otherwise. This arrival is vulnerable to the vicissitudes that all physical bodies/places can undergo: alteration in one’s absence, disappearance or loss. This contribution re-presents a piece of work that I produced about a place and then mislaid before it could be presented in the form that I hoped it would take. The place that it was a response to has also been lost. Both the writer of the place/event and their reader thus experience a form of belatedness. What made the place live in my mind so intensely was a series of texts scrawled on its wall, interspersed with images. I was late arriving for that. I address the reader as a latecomer in turn.\",\"PeriodicalId\":38498,\"journal\":{\"name\":\"Journal of Writing in Creative Practice\",\"volume\":\"106 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Writing in Creative Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jwcp_00065_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Writing in Creative Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jwcp_00065_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
This article treats the temporality of writing as a place or event – which is to say somewhere which must be arrived at on time or otherwise. This arrival is vulnerable to the vicissitudes that all physical bodies/places can undergo: alteration in one’s absence, disappearance or loss. This contribution re-presents a piece of work that I produced about a place and then mislaid before it could be presented in the form that I hoped it would take. The place that it was a response to has also been lost. Both the writer of the place/event and their reader thus experience a form of belatedness. What made the place live in my mind so intensely was a series of texts scrawled on its wall, interspersed with images. I was late arriving for that. I address the reader as a latecomer in turn.