{"title":"景观博物馆。托斯卡纳考古遗产项目","authors":"Francesca Coppolino, Bruna Di Palma","doi":"10.30958/aja.10-2-3","DOIUrl":null,"url":null,"abstract":"In recent decades, numerous initiatives have seen the aims of Italian architects and archaeologists converge on the necessity to found the country’s future on the basis of a renewal of cultural heritage that represents it. “Patrimonio al futuro” (Volpe, 2015), “Il nuovo dell’Italia è nel passato” (Carandini, 2012), “Architettura e patrimonio: progettare in un paese antico” (Franciosini and Casadei, 2015) are just some of the most recent publications that testify to this orientation. The contribution presents a proposal, winner of the first prize in an idea’s competition, focused on the valorisation of the Tuscia territory, that is an internal landscape of middle Italy, in which the archaeology-landscape dualism is the main structuring character. In this framework, the idea of “Museums of landscape” was born: going beyond the canonical concept that identifies the museum as a monumental building closed in itself, to give rise to a sort of an “exploded museum” in the territory. It is an accessible network where the archaeological areas are conceived as open-air exhibition rooms spread throughout the territory, in which archaeology and landscape intertwine to form a unified narrative, both physical and virtual, able to host different events in the new inclusive archaeological “rooms”. Keywords: architectural design, archaeological heritage, architecture for archaeology, museums of landscape, cultural landscape.","PeriodicalId":484777,"journal":{"name":"Athens Journal of Architecture","volume":"48 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Museums of Landscape. A Project for the Tuscia’s Archaeological Heritage\",\"authors\":\"Francesca Coppolino, Bruna Di Palma\",\"doi\":\"10.30958/aja.10-2-3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In recent decades, numerous initiatives have seen the aims of Italian architects and archaeologists converge on the necessity to found the country’s future on the basis of a renewal of cultural heritage that represents it. “Patrimonio al futuro” (Volpe, 2015), “Il nuovo dell’Italia è nel passato” (Carandini, 2012), “Architettura e patrimonio: progettare in un paese antico” (Franciosini and Casadei, 2015) are just some of the most recent publications that testify to this orientation. The contribution presents a proposal, winner of the first prize in an idea’s competition, focused on the valorisation of the Tuscia territory, that is an internal landscape of middle Italy, in which the archaeology-landscape dualism is the main structuring character. In this framework, the idea of “Museums of landscape” was born: going beyond the canonical concept that identifies the museum as a monumental building closed in itself, to give rise to a sort of an “exploded museum” in the territory. It is an accessible network where the archaeological areas are conceived as open-air exhibition rooms spread throughout the territory, in which archaeology and landscape intertwine to form a unified narrative, both physical and virtual, able to host different events in the new inclusive archaeological “rooms”. Keywords: architectural design, archaeological heritage, architecture for archaeology, museums of landscape, cultural landscape.\",\"PeriodicalId\":484777,\"journal\":{\"name\":\"Athens Journal of Architecture\",\"volume\":\"48 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Athens Journal of Architecture\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.30958/aja.10-2-3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Athens Journal of Architecture","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.30958/aja.10-2-3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
近几十年来,意大利建筑师和考古学家提出了许多倡议,他们的目标都集中在必须在代表国家的文化遗产更新的基础上创建国家的未来。"未来的遗产"(Volpe,2015 年)、"Il nuovo dell'Italia è nel passato"(Carandini,2012 年)、"Architettura e patrimonio: progettare in un paese antico"(Franciosini 和 Casadei,2015 年)只是证明这一方向的最新出版物中的一部分。这篇论文介绍了一项提案,该提案在创意竞赛中荣获一等奖,其重点是托斯卡纳地区的价值评估,这是意大利中部的一个内部景观,考古与景观的二元对立是其主要结构特征。在这一框架下,"景观博物馆 "的理念应运而生:超越将博物馆视为封闭的纪念性建筑的传统概念,在领土上建立一种 "爆炸博物馆"。这是一个无障碍网络,考古区被构想为遍布全境的露天展览室,考古与景观交织在一起,形成一个统一的实体和虚拟叙事,能够在新的包容性考古 "房间 "中举办不同的活动。关键词:建筑设计、考古遗产、考古建筑、景观博物馆、文化景观。
Museums of Landscape. A Project for the Tuscia’s Archaeological Heritage
In recent decades, numerous initiatives have seen the aims of Italian architects and archaeologists converge on the necessity to found the country’s future on the basis of a renewal of cultural heritage that represents it. “Patrimonio al futuro” (Volpe, 2015), “Il nuovo dell’Italia è nel passato” (Carandini, 2012), “Architettura e patrimonio: progettare in un paese antico” (Franciosini and Casadei, 2015) are just some of the most recent publications that testify to this orientation. The contribution presents a proposal, winner of the first prize in an idea’s competition, focused on the valorisation of the Tuscia territory, that is an internal landscape of middle Italy, in which the archaeology-landscape dualism is the main structuring character. In this framework, the idea of “Museums of landscape” was born: going beyond the canonical concept that identifies the museum as a monumental building closed in itself, to give rise to a sort of an “exploded museum” in the territory. It is an accessible network where the archaeological areas are conceived as open-air exhibition rooms spread throughout the territory, in which archaeology and landscape intertwine to form a unified narrative, both physical and virtual, able to host different events in the new inclusive archaeological “rooms”. Keywords: architectural design, archaeological heritage, architecture for archaeology, museums of landscape, cultural landscape.