乡愁与边缘情境。雅斯贝尔斯对克尔凯郭尔作品的早期接受

Q3 Arts and Humanities
Reflexe Pub Date : 2024-04-07 DOI:10.14712/25337637.2024.1
Jakub Marek
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引用次数: 0

摘要

本研究侧重于 K. 雅斯贝尔斯与 S. 克尔凯郭尔之间的关系。首先,它评估了目前有关雅斯贝尔斯接受克尔凯郭尔思想的学术研究;其次,它对雅斯贝尔斯的早期作品(尤其是 1909 年的《Heimweh und Verbrechen》和随后的《Psychologie der Weltanschauungen》)进行了独立分析。研究表明,雅斯贝尔斯早期关于乡愁的著作首次提出了极限情境(Grenzsituationen)的案例研究。论文追溯了克尔凯郭尔的审美存在概念与雅斯贝尔斯的极限情境概念之间的联系。研究表明,雅斯贝尔斯对乡愁的研究可以说是极限情境这一概念的最初灵感来源,同时,可以说是克尔凯郭尔帮助雅斯贝尔斯将这一萌芽的概念发展为更广泛的极限情境概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stesk po domově a mezní situace. K Jaspersově rané recepci díla S. Kierkegaarda
The study focuses on the relationship between K. Jaspers and S. Kierkegaard. First, it evaluates the current scholarship regarding Jaspers’ reception of Kierkegaard’s thought; second, it offers an independent analysis of Jaspers’ early work (especially the 1909 Heimweh und Verbrechen, and then the Psychologie der Weltanschauungen). It is demonstrated that Jaspers’ early work on nostalgia presents the first case study of limit situations (Grenzsituationen). The paper traces the link between Kierkegaard’s conception of aesthetic existence and Jaspers’ concept of limit situations. It is shown that Jaspers’ study of nostalgia can be considered the original inspiration for the idea of limit situations, and that, at the same time, it was arguably Kierkegaard who had helped Jaspers to develop this germinal idea into a broader notion of limit situations.
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来源期刊
Reflexe
Reflexe Arts and Humanities-Philosophy
CiteScore
0.20
自引率
0.00%
发文量
30
审稿时长
25 weeks
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