品牌塑造还是视觉叙事?传统媒体如何在数字化时代利用视觉新闻接触年轻人

Peder Haugfos, John Magnus Dahl, Jan Kratzer, Ines Wolf
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引用次数: 0

摘要

本文探讨了传统媒体公司如何应对在数字化时代接触年轻人这一现实或想象中的挑战,研究了如何利用所谓Z世代对感官和视觉新闻的偏好而采取的两种不同策略。通过专家访谈,我们介绍了挪威公共广播公司NRK P3和挪威最大的报纸VG如何应对吸引年轻人注意力的挑战。当传统媒体公司试图在数字平台上接触广泛而分散的年轻目标群体时,我们为它们如何利用视觉表达和设计数字内容确定了两种策略。VG 是以平台为导向的讲故事者,其设计与讲故事的方向和模式相关联,并为某些平台量身定制。他们关注的重点是目标群体所在的地方,并从不同平台的流行趋势中获取灵感,满足这些受众的视觉期望。NRK P3 采用的是传统品牌商的方法,既有远见卓识,又有传统方法,以建立一个强大、值得信赖和可见的品牌。最后,我们指出了这两种方法可能存在的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Branding or visual storytelling? How legacy media use visual journalism to reach young people in the age of digitalization
This article discusses how legacy media companies are responding to the real or imagined challenge of reaching young people in the age of digitalization, by investigating two different strategies for how to make use of the so-called Generation Z’s preference for sensory and visual journalism. Through expert interviews, we present how the Norwegian public broadcaster NRK P3 and the biggest newspaper in Norway, VG, approach the challenge of catching young people’s attention. We identify two strategies for how legacy media companies work with visual expressions and designing their digital content when trying to reach a wide, fragmented young target group on digital platforms. VG is a platform-oriented storyteller where design is connected to the direction and mode of storytelling and tailored to fit certain platforms. Their area of focus is to be where their target groups are and to meet the visual expectations of these audiences by taking cues from what is trending on different platforms. NRK P3 takes the approach of a traditional brander that works in both visionary and traditional ways to build a strong, trustworthy and visible brand. We conclude by pointing out possible problems with both approaches.
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