我们如何创作自传?适度回顾

Niroj Dahal
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引用次数: 0

摘要

我写这篇评论的目的是作为读者和作者阅读《打造自我民族志》(Crafting Autoethnography)一书的必备读物:由杰基-古德(Jackie Goode)、凯伦-卢姆斯登(Karen Lumsden)和简-布拉德福德(Jan Bradford)编著,探讨了创作自述的艺术(古德等人,2023 年)。作为一名新手自述者,我在以自述者的身份进行自述时,努力应对挑战,探索边界。因此,在这篇书评中,我试图通过发出邀请来吸引读者,鼓励读者以初读作为本书的入口,随后再进入,并最终退出,作为我对本书的评价。这本书引起了我的共鸣,它强调了书写我们的生活和故事的意义,通过表演性写作、哲学写作和艺术写作来发展自我意识,塑造我们的身份--倡导和转变。本书的作者通过不同的视角--从社会学到视觉艺术--阐明了他们的写作过程,邀请新手和资深自述者写作,探索自述的复杂工艺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How Do We Craft Autoethnography? A Modest Review
I am writing this review as an essential reading for readers and writers of the book—Crafting Autoethnography: Processes and Practices of Making Self and Culture, edited by Jackie Goode, Karen Lumsden, and Jan Bradford, which explores the art of crafting autoethnography (Goode et al., 2023). As a novice autoethnographer, I have grappled with challenges and explored borders while shaping my narrative as a self-narrator of autoethnographic writing. So, in this review, I have attempted to engage readers by offering the invitation, encouraging initial reading as entry to the book, subsequent re-entry, and eventual exit as my evaluation of the book. This book resonates with me, emphasizing the significance of writing our lives and stories, developing self-awareness through performative, philosophical, and artistic writing, and shaping our identity—advocacy and transformation. Through diverse perspectives—from sociology to the visual arts—the contributors of the book illuminate their processes, inviting novice and veteran autoethnographers to write to explore the intricate craft of autoethnography.
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