马洛卡的莫尔戴斯玩转玩具旅游

Humanities Pub Date : 2024-04-19 DOI:10.3390/h13020064
Hazel Andrews
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摘要

本文是对旅游中的游戏的探讨。它从存在人类学的现象学视角和理论见解出发,对游戏和玩具进行了研究。本文认为旅游和游戏是紧密联系在一起的,并概述了两者之间建立联系的方式。本文聚焦于旅游中的一种特殊游戏实践--涉及玩具的使用。通过 "玩具旅游 "的概念,我研究了与游戏相关的旅游实践是如何在 "做 "的过程中产生的。研究地点位于地中海马略卡岛的帕尔马诺瓦和马加鲁夫度假胜地。我使用芭比时尚达人系列中的一个玩偶进行研究,我给她取名为莫尔戴斯。我概述了莫尔戴思成为我的旅伴的过程和原因,以及我与她在度假胜地的经历和事件。本文讲述了我在马略卡岛玩玩具旅游时发生的故事。这是一种实验性的方法,在写作过程中以及在实地考察收集信息的过程中展开。我认为,游戏是什么,玩具是什么,既不是固定的,也不是可以把握的客观事物。相反,玩具和游戏,以及玩具旅游,都出现在我对旅游和玩具旅游实践的体现性想象理解中,以及在实践中使用玩具的实际体现性和情感运动中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mordaith in Mallorca: Playing with Toy Tourism
This paper is an exploration of play in tourism. It is situated in an approach to play and toys informed by phenomenological perspectives and theoretical insights drawn from existential anthropology. It argues that tourism and play are intimately linked and outlines the ways in which connections between the two have been made. This paper focuses on a particular practice of play in travel—one that involves the use of a toy. Using the notion of ‘toy tourism’, I examine the ways in which touristic practices associated with play are brought into being in the moment of doing. The research is located in the resorts of Palmanova and Magaluf on the Mediterranean island of Mallorca. I conducted the research using a doll from the Barbie Fashionista range, who I named Mordaith. I outline how and why Mordaith became my travel companion and the experience and events associated with my time with her in the resorts. This paper recounts the story of what happened when I brought about the play of toy tourism in Mallorca. It is an experimental approach that unfolds in the writing as much as in the gathering of information during fieldwork. I argue that what play is, and what a toy is, are neither fixed nor graspable objectivities. Rather, both toy and play, and, thus, toy tourism, emerge in my embodied imaginative understanding of what touristic and toy tourism practices are, as well as the actual embodied and emotional movements of employing a toy in practice.
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