从图形表面到连续表面

IF 1.2 2区 艺术学 0 ARCHITECTURE
Julia Capomaggi
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引用次数: 0

摘要

我们每天居住的室内空间是由表面、物品、家具和艺术品所体现的文化和符号参照系统所定义的,而这些表面、物品、家具和艺术品则是我们日常空间的殖民地和设计者。在这项研究中,作者希望通过吉奥-庞蒂第二次担任主编期间(1948-1978 年)在《Domus》杂志上发表的家居室内设计作品,发展出一套有关表面塑造室内空间的理论。Domus 杂志通过出版家庭室内装饰,将艺术家、建筑师和设计师的努力凝聚在一起,使房间成为学科特性消解的地方,从而帮助在意大利和欧洲建立了一种设计文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Graphic Surface to Continuous Surface
The interior spaces we inhabit every day are defined by a system of cultural and symbolic references manifest in surfaces, objects, furniture, and art pieces that colonize and design our everyday spaces. For this research, the author aims to develop a theory concerning the shaping of interior space by the surface, informed by domestic interiors published in the magazine Domus during Gio Ponti’s second tenure as editor-in-chief (1948–1978). Domus helped to build a design culture in Italy and Europe by publishing domestic interiors understood as a field where the efforts of artists, architects, and designers coalesced, and the room became the place where disciplinary specificities dissolved.
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来源期刊
CiteScore
2.50
自引率
30.80%
发文量
24
期刊介绍: The Journal of Interior Design is a scholarly, refereed publication dedicated to issues related to the design of the interior environment. Scholarly inquiry representing the entire spectrum of interior design theory, research, education and practice is invited. Submissions are encouraged from educators, designers, anthropologists, architects, historians, psychologists, sociologists, or others interested in interior design.
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