奥扎克南部:布鲁克斯-布莱文斯(Brooks Blevins)撰写的《边缘通讯》(评论

Pub Date : 2024-04-22 DOI:10.1353/soh.2024.a925487
Kevin C. Motl
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Of the thirteen chapters, six are new, while the remainder are republished material with modest revisions. Each chapter aspires to render the once-invisible visible. After all, as Blevins laments in a later chapter, Appalachia has a better publicist, and thus a lens into the world of the Ozarks comes only after a “generational lag,” if at all (p. 220). Indeed, sustained scholarly inquiry into the folkways of the Ozarks people is a relatively recent development, and arguably the most authoritative work on the region to date comes from Blevins himself.</p> <p>As Blevins’s examination unfolds, the reader is treated to glimpses into the defiant and often dangerous world of seasonal fireworks sales; the resurrection of shape note gospel singing schools; the lingering presence of the clapboard country stores serving sparsely populated hollers; and the ongoing crusade of folklore collectors to construct a definitive inventory of American mountain ballads. These insightful vignettes are seasoned generously with humor born of Blevins’s own life experiences with the very phenomena described therein.</p> <p>The lighthearted excursions offer an antidote to more sober considerations of race relations and racial violence in the region; the ethically suspect means by which Ozarks waterways—most notably, the celebrated Buffalo River—were expropriated by government to establish the National Wild and Scenic Rivers System, and the economic hardships endemic to the region that, over generations, left many rural Ozarkers clinging to subsistence by their fingernails. These erudite treatments engage directly with the relevant scholarly literature and draw meaningful and occasionally revisionist conclusions.</p> <p>Blevins’s ambition to discern the relative “southernness” of Ozarks culture serves as a key subtext in this volume (p. 7). Several chapters explore either explicit or implicit comparisons between the upland and lowland South. The futile attempts by locals to resist federal power in claiming Ozarks waterways for recreational and conservation purposes highlight a strain of deep distrust toward government. The generational efforts to scratch a life from unforgiving land, exemplified here by the copious diaries of Minnie Atteberry, illuminate the rugged individualist archetype often at the epicenter of regional identity. The appeal of <em>The Andy Griffith Show</em> as an avatar for idealized southern living reveals a straining effort to stay anchored in a romanticized and largely mythological past. In the end, Blevins diagnoses the land of his upbringing as indeed southern, but not before arguing convincingly that the concept itself remains stubbornly fluid and evanescent.</p> <p>Whimsical and incisive in equal measure, Blevins blends the storytelling gifts of the folklorist with the keen lens of social science analysis. He purports not to caricature the people of his homeland but instead to complicate them <strong>[End Page 461]</strong> through historical, sociological, economic, and anthropological scrutiny. The text is fairly haunted with the author’s memories and profound love for the places and people that define both his upbringing and his professional life and is all the richer and more engaging for it. The net effect of this journey on the reader is the deconstruction of stereotypes through the introduction of complexity, and thus Blevins’s aim with this collection strikes true. As both a companion to his three-volume historical treatment of the region (<em>A History of the Ozarks</em> [Urbana, 2018–2021]) and an accessible and enjoyable gateway into the world of the Ozarks, <em>Up South in the Ozarks</em> offers a valuable contribution to academic and lay audiences alike.</p> Kevin C. 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These insightful vignettes are seasoned generously with humor born of Blevins’s own life experiences with the very phenomena described therein.</p> <p>The lighthearted excursions offer an antidote to more sober considerations of race relations and racial violence in the region; the ethically suspect means by which Ozarks waterways—most notably, the celebrated Buffalo River—were expropriated by government to establish the National Wild and Scenic Rivers System, and the economic hardships endemic to the region that, over generations, left many rural Ozarkers clinging to subsistence by their fingernails. These erudite treatments engage directly with the relevant scholarly literature and draw meaningful and occasionally revisionist conclusions.</p> <p>Blevins’s ambition to discern the relative “southernness” of Ozarks culture serves as a key subtext in this volume (p. 7). Several chapters explore either explicit or implicit comparisons between the upland and lowland South. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要:评论者: 奥扎克山脉南部:布鲁克斯-布莱文斯(Brooks Blevins)著,凯文-C-莫特尔(Kevin C. Motl)译:来自边缘的游记。作者:布鲁克斯-布莱文斯。(费耶特维尔:阿肯色大学出版社,2022 年。页码[viii], 260.34.95美元,ISBN 978-1-68226-220-7)。Brooks Blevins 是密苏里州立大学奥扎克研究诺埃尔-博伊德(Noel Boyd)教授,他在《奥扎克高地的南方》(Up South in the Ozarks)一书中提供了一本关于奥扎克高地--从阿肯色州西北部延伸到密苏里州南部和俄克拉荷马州东北部的山脉和高原地区--及其人民的美味文选:来自边缘的通讯》。在 13 个章节中,有 6 个章节是全新的,其余章节则是经过适度修改的再版资料。每一章都希望让曾经看不见的事物变得清晰可见。毕竟,正如布莱文斯在后面一章中感叹的那样,阿巴拉契亚有一个更好的宣传者,因此,只有在 "一代人的滞后 "之后,才能看到奥扎克世界的镜头(第 220 页)。事实上,学者们对奥扎克斯人民俗的持续研究是相对较晚的事情,而迄今为止关于该地区最权威的著作可以说是来自于布莱文斯本人。在布莱文斯的研究中,读者可以瞥见季节性烟花销售的蔑视且往往危险的世界;形状音符福音演唱学校的复活;为人烟稀少的山丘服务的木板乡村商店的持续存在;以及民俗收集者为建立美国山地民谣权威目录而进行的持续征战。这些富有洞察力的小故事充满了幽默感,而这些幽默感则来自于布莱文斯自身的生活经历,与书中描述的现象如出一辙。这些轻松愉快的游记是对该地区种族关系和种族暴力的冷静思考的解毒剂;奥扎克水道--尤其是著名的水牛河--被政府征用以建立国家野生和风景河流系统的手段在道德上值得怀疑;以及该地区特有的经济困难,几代人的努力使许多奥扎克农村人只能靠指甲勉强维持生计。这些博学的论述直接引用了相关的学术文献,并得出了有意义的、有时是修正性的结论。布莱文斯想要辨别奥扎克文化相对 "南方性 "的雄心壮志是本卷的关键潜台词(第 7 页)。有几章探讨了高地和低地南方之间或明或暗的比较。当地人试图抵制联邦将奥扎克水道用于娱乐和保护目的的权力,但却徒劳无功,这凸显了当地人对政府的极度不信任。米妮-阿特贝里(Minnie Atteberry)的大量日记体现了一代代人在无情的土地上艰苦创业的努力,揭示了粗犷的个人主义原型往往是地区认同的核心。安迪-格里菲斯秀》(The Andy Griffith Show)是理想化南方生活的化身,它的魅力揭示了人们为立足于浪漫化、神话化的过去而付出的艰辛努力。最后,布莱文斯诊断出他成长的这片土地确实是南方,但在此之前,他还令人信服地论证了这一概念本身仍然顽固多变、难以捉摸。布莱文斯既异想天开,又鞭辟入里,他将民俗学家讲故事的天赋与社会科学分析的敏锐视角融为一体。他没有刻意丑化自己家乡的人民,而是通过历史学、社会学、经济学和人类学的审视,将他们复杂化 [第461页完]。作者对那些决定了他的成长和职业生涯的地方和人民的回忆和深爱,使文章相当缠绵,也因此更加丰富和引人入胜。这段旅程对读者的净影响是通过引入复杂性来解构刻板印象,因此布莱文斯出版这本文集的目的是正确的。作为其三卷本历史著作《奥扎克历史》(A History of the Ozarks [Urbana, 2018-2021])的姐妹篇,以及进入奥扎克世界的一个通俗易懂、令人愉悦的入口,《奥扎克的南方》为学术界和非专业读者做出了宝贵贡献。凯文-C.-莫特尔 瓦奇塔浸信会大学 Copyright © 2024 The Southern Historical Association ...
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Up South in the Ozarks: Dispatches from the Margins by Brooks Blevins (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • Up South in the Ozarks: Dispatches from the Margins by Brooks Blevins
  • Kevin C. Motl
Up South in the Ozarks: Dispatches from the Margins. By Brooks Blevins. (Fayetteville: University of Arkansas Press, 2022. Pp. [viii], 260. $34.95, ISBN 978-1-68226-220-7.)

Brooks Blevins, Noel Boyd Professor of Ozarks Studies at Missouri State University, delivers a savory anthology of essays on the Ozarks highlands—a region of mountains and plateaus extending from northwest Arkansas into southern Missouri and northeast Oklahoma—and its people in Up South in the Ozarks: Dispatches from the Margins. Of the thirteen chapters, six are new, while the remainder are republished material with modest revisions. Each chapter aspires to render the once-invisible visible. After all, as Blevins laments in a later chapter, Appalachia has a better publicist, and thus a lens into the world of the Ozarks comes only after a “generational lag,” if at all (p. 220). Indeed, sustained scholarly inquiry into the folkways of the Ozarks people is a relatively recent development, and arguably the most authoritative work on the region to date comes from Blevins himself.

As Blevins’s examination unfolds, the reader is treated to glimpses into the defiant and often dangerous world of seasonal fireworks sales; the resurrection of shape note gospel singing schools; the lingering presence of the clapboard country stores serving sparsely populated hollers; and the ongoing crusade of folklore collectors to construct a definitive inventory of American mountain ballads. These insightful vignettes are seasoned generously with humor born of Blevins’s own life experiences with the very phenomena described therein.

The lighthearted excursions offer an antidote to more sober considerations of race relations and racial violence in the region; the ethically suspect means by which Ozarks waterways—most notably, the celebrated Buffalo River—were expropriated by government to establish the National Wild and Scenic Rivers System, and the economic hardships endemic to the region that, over generations, left many rural Ozarkers clinging to subsistence by their fingernails. These erudite treatments engage directly with the relevant scholarly literature and draw meaningful and occasionally revisionist conclusions.

Blevins’s ambition to discern the relative “southernness” of Ozarks culture serves as a key subtext in this volume (p. 7). Several chapters explore either explicit or implicit comparisons between the upland and lowland South. The futile attempts by locals to resist federal power in claiming Ozarks waterways for recreational and conservation purposes highlight a strain of deep distrust toward government. The generational efforts to scratch a life from unforgiving land, exemplified here by the copious diaries of Minnie Atteberry, illuminate the rugged individualist archetype often at the epicenter of regional identity. The appeal of The Andy Griffith Show as an avatar for idealized southern living reveals a straining effort to stay anchored in a romanticized and largely mythological past. In the end, Blevins diagnoses the land of his upbringing as indeed southern, but not before arguing convincingly that the concept itself remains stubbornly fluid and evanescent.

Whimsical and incisive in equal measure, Blevins blends the storytelling gifts of the folklorist with the keen lens of social science analysis. He purports not to caricature the people of his homeland but instead to complicate them [End Page 461] through historical, sociological, economic, and anthropological scrutiny. The text is fairly haunted with the author’s memories and profound love for the places and people that define both his upbringing and his professional life and is all the richer and more engaging for it. The net effect of this journey on the reader is the deconstruction of stereotypes through the introduction of complexity, and thus Blevins’s aim with this collection strikes true. As both a companion to his three-volume historical treatment of the region (A History of the Ozarks [Urbana, 2018–2021]) and an accessible and enjoyable gateway into the world of the Ozarks, Up South in the Ozarks offers a valuable contribution to academic and lay audiences alike.

Kevin C. Motl Ouachita Baptist University Copyright © 2024 The Southern Historical Association ...

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